Mozart - The Complete Piano Sonatas

6 CD - MP3 192 Kbps - RAR 569Mb

Brautigam uses a copy of a 1795 fortepiano with spectacular results. The attack of this instrument is much more defined, (...). His tempos are fast, (...). Recording quality is superb, a(...). I used to think Mozart's sonatas were sluggish and not of the same caliber of much of his other compositions (Haydn's sonatas seemed to sparkle in comparison). With this set, I have changed my mind... truly first class. (Amazon customer)

contents:


CD 1
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Piano Sonata No. 1 in C major, K. 279
Piano Sonata No. 2 in F major, K. 28
Piano Sonata No. 3 in B flat major, K. 281

CD 2 
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Piano Sonata No. 4 in E flat major, K. 282
Piano Sonata No. 5 in G major, K. 283
Piano Sonata No. 6 in D major, K. 284

CD 3
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Piano Sonata No. 7 in C major, K. 309
Piano Sonata No. 9 in D major, K. 311
Piano Sonata No. 8 in A minor, K. 310

CD 4
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Piano Sonata No. 10 in C major, K. 330
Piano Sonata No. 11 in A major, K. 331
Piano Sonata No. 12 in F major, K. 332

CD 5
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Piano Sonata No. 13 in B flat major, K. 333
Fantasia in C minor, K. 475
Piano Sonata No. 14 in C minor

CD 6
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Piano Sonata No. 15 in F major, K. 533 + K. 494
Piano Sonata No. 16 in C major, K. 545, "Sonata facile"
Piano Sonata No. 17 in B flat major, K. 570
Piano Sonata No. 18 in D major, K. 576

Ronald Brautigam, fortepiano

Maddalena Laura Lombardini Sirmen - 6 Violin Concertos Op.III

2 CD - MP3 192 Kbps - RAR 140 Mb


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Tutorial Letter to Maddalena Lombardini (Signora Sirmen) from Giuseppe Tartini.
(italian & english)

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contents:


Concerto N°1 in B flat major
Concerto N°2 in E major
Concerto N°3 in A major
Concerto N°4 in C major
Concerto N°5 in B flat major
Concerto N°6 in C major

Piroska Vitárius, violin

Savaria Baroque Orchestra
dir. Pál Németh

Venice, 9 Dec 1745 - Venice, 18 May 1818

Italian composer, violinist and singer.
Unusually for a woman composer at that time, there appear to have been no other musicians in her family and she became famous entirely through her own efforts.
In 1753 she was admitted to the Ospedale dei Mendicanti in Venice, not as an orphan but as a musician who would be an asset to their all-female choir and orchestra.
She must have been an outstanding violinist since in 1760 she was allowed to go to Padua to study with Tartini; as the lessons were delayed, Tartini wrote her a long letter explaining his violin playing methods and the best way to practise.
It was copied in Padua before it was sent and by 1770, because of its importance, it was in print in Italy, shortly followed by translations into English (by Charles Burney), German and French. (...) (segue).

A biography

De Fragilitate - Piae Cantiones

22 tracks - MP3 192 Kbps - RAR 130Mb


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The Piae Cantiones (1582) is Finland’s one and only collection of early music and reflection of Europe’s medieval musical heritage. Zefiro Torna performs these beautiful carols, devote and student songs with 15th-16th century instruments and includes a children’s choir. The discrete but charming use of a kantele introduces a Finnish-ing touch to the sound.

The majority of the compositions belongs to the Germanic-Bohemian cantio tradition. There are also links to French, Spanish and Italian sources and to Flemish masters such as Jacob Obrecht. The religious songs — the majority being Christmas songs — are grouped together according to the liturgical year. The remaining songs deal with the transitory character of earthly life, the human condition, the life of schoolchildren, Biblical subjects and the rebirth of Nature in the spring.

Very few collections of music from the 16th century are so strongly anchored in contemporary musical life as the Piae Cantiones are in Finland today, becoming a fixed part of Finnish choral and religious music with the flowering of Finnish nationalism and romanticism in the early 20th century. Variants of these cantiones can be found in Finland’s religious folk music, whilst many composers have also made arrangements of the songs, including Jean Sibelius in his ‘Carminalia’.

“These 24 of the 74 songs from Piae Cantiones form not only a wonderful programme, permitting a variety of styles ranging from pure medieval to rustic and folksy but are also delightful performances….There are delicious and always aptly chosen instrumental contributions, including local colour from the Finnish kantele, and the children sing disarmingly with an ardent, earthly grace, like angelic urchins….”

contents:


De Nativitate [18:49]:
Angelus emittitur [1:23], Salve flos et décor [4:16], Verbum caro factum est [2:06], Congaudeat turba fidelium [1:52], Parvulus nobis nascitur [2:59], Personent hodie [1:30], Nobis est natus hodie [2:26], Paranymphus adiens [2:17]

De Passione [7:39]:
Iucundare iugiter [2:05], Aetas carmen melodiae [3:38], Aetas carmen melodiae [1:56]

De Fragilitate et Miseriis [9:29]:
Kurja, paha syntinen [4:44], Mars praecurrit in planetis [1:43]; Cum sit omnis caro foenum [3:02]

De Vita Scholastica [12:11]:
Scholares convenite [3:35], Zachaeus arboris [1:35], O Scholares discite [4:37], Sum in aliena provincia [2:24]

De Tempore Vernali [9:52]:
Ad perennis vitae fontem [2:15]; In vernali tempore [2:42]; Tempus adest floridum [1:40]; Kaikki maailma riemuitkohon [3:15]


Antwerp Cathedral Choir
&
Zefiro Torna

A review

Hespèrion XX - Musicque de Ioye

26 tracks - MP3 192 Kbps - 1 RAR file 83Mb

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Jacques Moderne, ed., ca 1550

Tracklist:

1. Anon. - Bassedance 7
2. Anon. - Tordion 8
3. Roquelay - Ta bonne grace
4. Anon. - Bassedanse 1 « Ta bonne grace »
5. Anon. - Tordion 2
6. Julius de Modena - Ricercare XIII
7. Julius de Modena - Ricercare XXII
8. Julius de Modena - Ricercare XVI
9. Julius de Modena - Ricercare V
10. Clément Janequin - Il estoit une fillette
11. Anon. - Pavane 13 « La Gaiette »
12. Anon. - Pavane 14
13. Anon. - Gailarde 15
14. Gabriel Costa - Ricercare XXIV
15. Julius de Modena or Cabezon - Ricercare XVII
16. Adrian Willaert - Ricercare IV
17. Pierre Sandrin - Helas amy
18. Anon. - Bassedanse 5 « Hellas amy »
19. Anon. - Tordion 6
20. Anon. - Pavane 11 « La Bataille »
21. Julius de Modena - Ricercare VIII
22. Julius de Modena - Ricercare X
23. Hieronimus Parabosco - Ricercare XIV « Da pacem domine »
24. Anon. - Branle simple 22
25. Anon. - Branle de Bourgoigne 23
26. Claude Gervaise - Branle de bourgoigne 17

Hespèrion XX, Jordi Savall

Claudio Monteverdi - Arie E Lamenti Per Voce Sola

10 tracks - MP3 192 Kbps - RAR 125Mb


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contents:


Ohimè ch'io cado (Libro nono)
Lettera amorosa a voce sola in genere rappresentativo (Settimo Libro, 1619)
Si dolce è il tormento (Libro nono)
Lamento d'Arianna
Quel sguardo sdegnosetto (Scherzi Musicali, 1632)
Salve o Regina
O quam Pulchra
Exulta filia Sion
Pianto della Madonna sopra il Lamento d'Arianna
Venite videte

Ton Koopman (harpsichord, organ)
Andrew Lawrence-King (harp)
Rolf Lislevand (theorbo)
Paolo Pandolfo (bass viola)
Lorenz Duftschmid (violone)


Montserrat Figueras (soprano)
15 March 1942 – 23 November 2011

El Cant de la Sibil-la - Figueras/Savall (Voll.1-2-3)

3 tracks - MP3 192 Kbps - RAR file 76Mb


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o

41 Tracks - MP3 192 Kbps - RAR file 99Mb


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o


25 Tracks - MP3 192 Kbps - RAR file 85Mb


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The Song of the Sibyl (Catalan: El Cant de la Sibil·la is a liturgical drama and a Gregorian chant, the lyrics of which compose a prophecy describing the Apocalypse, which has been performed at some churches of Majorca (Balearic Islands, Spain) and Alghero (Sardinia, Italy) in Catalan language on Christmas Eve nearly uninterrruptedly since medieval times. It was declared a Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO on November 16, 2010.

Several versions, differing in text and music, exist.

- - Latin Sibyl, from 10th-11th century, which incorporates fragments of The City of God (XVIII, 23) by St. Augustine
- - Provençal Sibyl, from the 13th century, reflecting influence of troubadour poetry
- - Catalan Sibyl. The latest and most ornamented version. Incorporates popular traditions of Balearic Islands. Refrain of this version is sometimes written for three or four voices

The author of The Song of the Sibyl is unknown. The prophecy was first recorded as an acrostic poem in Greek by bishop Eusebius of Caesarea and later translated into Latin by Saint Augustine in The City of God. It appeared again in the 10th century in different locations across Catalonia, Italy, Castile, and France in the sermon Contra judeos, later inserted into the reading of the sixth lesson of the second nocturn of matins and was performed as an integral part of the liturgy.

This chant was originally sung in Latin and under the name of Judicii Signum, but from the 13th on, versions in Catalan are found.

These early Catalan versions of the Judici Signum were not directly translated from Latin. Instead, they all come from a previous adaptation in Provençal, which proves the huge popularity this song must have had in the past.

Amongst the Catalan texts which come from this common root, there is a 14th century Codex kept in the Archives of the Majorcan Diocese, which was rediscovered in 1908. Oral transmission and the lack of written scripts has caused the various old texts in the vernacular to suffer many modifications over time, which has led to a diversity of versions.

The Song of the Sibyl was almost totally abandoned throughout Europe after the Council of Trent (held in 25 sessions from 1545 to 1563) declared its performance was forbidden. Nevertheless, it was restored on Mallorca as soon as in 1575.

Originally, the Song of the Sibyl was sung in a Gregorian melody and, as it can be seen in the Codex previously mentioned, the musical accompaniment that was played in Majorca, with the exception of some variations, was the same documented in other places across the Iberian Peninsula. Today, it cannot be ascertained for certain when the Song of the Sibyl was sung to this Gregorian melody, but most likely until the 16th or 17th century. Oral transmission of the song caused, as it did with the text, the birth of different variations and models. The interest this chant produced amongst early Musicologists and Folklorists of the 19th century led to the transcription of the different known versions of the song. The versions still played nowadays take these transcriptions as model.
(Wikipedia)

Matteo da Perugia - Hélas Avril - Chansons

11 tracks - MP3 192 Kbps - RAR file 91Mb


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1. Rondeau: A qui Fortune
2. Rondeau: Pour Dieu vous pri
3. Virelai: Plus onques dame
4. Rondeau: Pour Bel Accueil
5. Canon: (instr.) Andray soulet
6. Virelai: Puisque je sui
7. Rondau: Dame de honour plesant
8. Ballata: Già de rete d'Amor
9. Rondeau: FPn 568 (instr.) Dame playsans
10. Virelai: Hélas Avril
11. Rondeau: Trover ne puis

Mala Punica

Jill Feldman (soprano), Pascal Bertin (counter-tenor), Gianluca Ferrarini (tenor), Amandine Beyer (fiddle), Jane Achtman (fiddle), Kees Boeke (fiddle), Mara Galassi (harp), Arianna Savall (harp), Edin Karamazov (chitarrino), Pedro Memelsdorff (recorder) - Pedro Memelsdorff, dir.

La Bande des Hautbois du Roy - Musica a Versailles

73 tracks - MP3 192 Kbps - 2 RAR files (88Mb+70Mb)


CD 1
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CD 2
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Musiche di
Jean-Baptiste Lully, Michel Corrette, Pascal Collasse
François Couperin, Marc-Antoine Charpentier

La Bande des Hautbois du Roy, dir. Paolo Tognon

Wilhelm Friedemann Bach - 6 Sonates

pour deux flutes traversieres sans basse


MP3 192 Kbps - 2 RAR (51Mb+53Mb)


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(Many thanx to benito x for the links)

tracklist:

Sonata No.1 in mi minore
Sonata No.2 in sol maggiore
Sonata No.3 in mi b maggiore
Sonata No.4 in fa maggiore
Sonata No.5 in mi b maggiore
Sonata No.6 in fa minore

Pénélope Evison & Pierre Séchet, Flauto traverso

Antonio Vivaldi - ''Il Proteo'' Double and Triple Concertos

18 tracks - MP3 192Kbps - RAR 94Mb


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1. Concerto for Two Violins, Two Cellos, Strings and Continuo in D Major, RV 564
2. Concerto for Three Violins, Strings and Continuo in F Major, RV 551
3. Concerto for Two Cellos, Srtings and Continuo in G minor, RV 531
4. Concerto for Violin, "Violino per eco lontano", Strings and Cont. in A Major, RV552
5. Concerto for Violin. Two Cellos, Strings and Continuo in G minor, RV 561
6. Concerto"Il Proteo o sia il mondo al rovescio" in F Major, RV 544
Christophe Coin, (cello), Il Giardino Armonico dir. Giovanni Antonini

J.B. de Boismortier - Suites & Sonatas

32 tracks - MP3 192 Kbps - RAR 103Mb


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1. Trio Sonata in G major Preludio (Grave) 01:51
2. Allemanda (Allegro) 02:21
3. Affettuoso 01:28
4. Giga (Allegro) 02:00
5. Sonata in D major Sicilienne 02:48
6. Gayement 02:09
7. Gracieusement 01:54
8. Gayement 03:25
9. Cinquième Suite in D minor Prélude 03:39
10. Bourée en Rondeau 01:05
11. Rondeau Gracieusement 02:36
12. Allemande (Gayement) 02:15
13. Gigue 01:39
14. Trio Sonata in E minor Legerement 02:15
15. Rondeau Gracieusement 02:36
16. Allemande (Gayement) 02:15
17. Lentement 01:23
18. Gigue 01:39
19. Suite in A major La Veloutée 02:01
20. L'Indeterninée 01:55
21. La Frenetique 01:58
22. La Brunette 05:31
23. Sonata in E minor Allegro 01:49
24. Allemanda (Allegro) 02:19
25. Adagio 01:36
26. Giga 01:11
27. Diverse Pieces de Violes in C Prelude (Lentement) 01:46
28. Allemande 02:17
29. Siciliene en Rondeau 02:44
30. Gentilesse in G major Gaiment 02:26
31. Gracieusement 01:35
32. Gaiment 02:46

Passacaglia:Annabel Knight - Louise Bradbury
Robin Bigwood - Reiko Ichise - Eligio Quinteiro

Wilhelm Friedemann Bach - Symphonies

14 tracks - MP3 192 Kbps - RAR 91Mb


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J.S. Bach's favorite son-apparently a drunk and a difficult man-wrote handsome music of great rhythmic and harmonic variety, which this CD highlights. The harpsichord concerto is very rich, with the soloist and orchestra bickering back and forth nicely. The two Sinfonias differ in temperament: the D major is formal and elegant; the F major is more jumpy and entertaining. Similarly, the two adagios and fugues recorded here differ greatly. The one in F minor dazzles us by its close, while the D minor is severe but equally interesting. W.F. Bach sounds little like either his father or his better-known brother, C.P.E. Bach. He's quirkier and not at all predictable. The disc is full of surprises. --Robert Levine

Tracklist:

1. Sinfonia in D major (used as prelude to cantata "Dies ist der Tag"), F. 64 (BR C8)
2. Sinfonia in D minor ("Adagio and Fugue"), F. 65 (BR C7)
3. Harpsichord Concerto in E minor, F. 43 (BR C 12)
4. Prelude and fugue (after W. F. Bach) for violin, viola & bass in F minor, (K. 404a/6)
5. Sinfonia for strings in F major ("Dissonant"), F. 67 (BR C2)

Berlin Academy for Early Music
Raphael Alpermann - Harpsichord

Italian and English Music for Recorder and Lute

15 tracks - MP3 192 Kbps - RAR file 71Mb

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Bartolomeo de Selma y Salaverde
1. Canzona
Pietro Paolo Melii
2. Capricio detto il Gran Matias
Bartolomeo Montalbano
3. Sinfonia, Op. 1 No.4
Giovanni Bassano
4. Ricercata quarta
Dario Castello
5. Sonata seconda
Alessandro Piccinini
6. Aria di saravanda in varie partite
Andrew Parcham
7. Solo: Poco allegro - (no tempo marking) - Adagio - Allegro - Aria
Anonymous
8. Pauls steeple
Henry Purcell
9. Prelude
Johann Christoph Pepusch
10. Prelude
Gottfried Finger
11. Prelude
William Croft
12. Sonata in G
Gottfried Finger
13. Sonata in G minor: (no tempo marking) - Allegro - Adagio - (no tempo marking)
Anonymous
14. Division on a ground
15. Tollets ground

Clas Pehrsson, recorder - Jakob Lindberg, lute

Johann Friedrich Fasch - Quadro und Triosonaten

24 tracks - MP3 192 Kbps - RAR file 75Mb

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Quartett B-Dur für Blockflöte, Oboe, Violine und B.c.
Trio e-moll für zwei Oboen und Bc.
Quartett G-Dur für Traversflöte, zwei Blockflöten und Bc.
Quartett g-moll für zwei Oboen, Fagott und Bc.
Trio D-Dur für Traversflöte, Violine und Bc.
Quartett d-moll für zwei Oboen, Fagott und Bc.

Camerata Köln

Michael Schneider / Blockflöte
Sabine Bauer / Blockflöte
Karl Kaiser / Traversflöte
Hans-Peter Westermann / Oboe
Piet Dhont / Oboe
Michael McCraw / Fagott
Annette Sichelschmidt / Violine
Rainer Zipperling / Violoncello
Harald Hoeren / Cembalo

Werner - Calendarium Musicum I & II

2 CD - MP3 192 Kbps - RAR 172Mb


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Gregor Josef Werner, Music Director of the Prince of Esterhazy, is one of those musicians not yet well enough known to judge whether he has been justifiably forgotten or not. But to judge from the music recorded here, published in Augsbourg in 1748, he is a composer of solid technique and a fine imagination. On the other hand, history has not forgotten that his successor was Joseph Haydn. His "Musical Instrument Calendar" is situated between the Four Seasons by Vivaldi and Haydn's The Seasons. Werner has set to music the months of the year. His Almanach Musical is an agreeable work comprising around 60 pieces both evocative and entertaining. Each month is represented by a suite of five movements in the same key. In each group, there is always a minuet, which represents the annual rotation of the sun. The composer takes the opportunity to show the power of his imagination and his technical prowess. The listener will note particularly the joy of the month of June, the expressive silences of October and the pathos of November.

contents:


cd 1

01 - Im Jenner - Neujahrsanfang
02 - Im Jenner - Gute Hoffnung eines gluckseligen Jahres
03 - Im Jenner - Menuett- Die Tageslange 9, die Nacht 15 Stund
04 - Im Jenner - Der aberwitzige Bauer
05 - Im Hornung - Die Fassnacht
06 - Im Hornung - Menuett- Die Tageslange 10, die Nacht 14 Stund
07 - Im Hornung - Die Hochzeit des Hanswurst
08 - Im Hornung - Menuett- Die Tageslange 11, die Nacht 13 Stund
09 - Im Hornung - Maskerade
10 - In dem Merzen - Die Fasten
11 - In dem Merzen - Die Sonne betritt den Widder
12 - In dem Merzen - Menuett- Tag und Nacht gleich
13 - In dem Merzen - Die Nachsinn und Betrachtung
14 - In dem Merzen - Der verworfene Tag
15 - Im April - Der Fruhling
16 - Im April - Der spielende Schafer
17 - Im April - Menuett- Die Tageslange 13, die Nacht 11 Stund
18 - Im April - Das veranderliche Aprilwetter
19 - Im April - Das Froschgeschrei
20 - Im May - Der Gartner
21 - Im May - Menuett- Die Tageslange 14, die Nacht 10 Stund
22 - Im May - Die Nachtigall
23 - Im May - Menuett- Die Tageslange 15, Die Nacht 9 Stund
24 - Im May - Widerhall oder Echo
25 - Im Brachmonat - Der liebliche Sommer
26 - Im Brachmonat - Die Sonne im Krebs
27 - Im Brachmonat - Ein Erdbeben
28 - Im Brachmonat - Menuett- Die Tageslange 16, die nacht 8 Stund
29 - Im Brachmonat - Der Zeitvertreib

cd2

01 - Im Heumonat - Der Faulenzende
02 - Im Heumonat - Menuett- Die Tageslange 15, die Nacht 9 Stund Olivier
03 - Im Heumonat - Ein Donnerwetter
04 - Im Heumonat - Stilles Wetter
05 - Im Heumonat - Der Keller
06 - Im Augustmonat - Der vergnugte Bauer
07 - Im Augustmonat - Menuett- Die Tageslange 14, die Nacht 10 Stund
08 - Im Augustmonat - Das Posthorn
09 - Im Augustmonat - Der hinkende Bote
10 - Im Augustmonat - Menuett- Die Tageslange 13, die Nacht 11 Stund
11 - Im Herbstmonat - Die erfreuliche Studentenvakanz
12 - Im Herbstmonat - Ein Hirtenstuck
13 - Im Herbstmonat - Menuett- Tag und Nacht gleich
14 - Im Herbstmonat - Der angenehme Herbst
15 - Im Herbstmonat - Die Sonne in der Waage
16 - Im Weinmonat - Es lebe Seine Majestat Kaiser Franciscus
17 - Im Weinmonat - Der Fassbinder
18 - Im Weinmonat - Menuett- Die Tageslange 11, die Nacht 12 Stund
19 - Im Weinmonat - Die Jagd
20 - Im Weinmonat - Es lebe Ihre Majestat die Kaiserin Theresia
21 - Im Wintermonat - Der melancholische Student
22 - Im Wintermonat - Menuett- Die Tageslange 10, die Nacht 14 Stund
23 - Im Wintermonat - Ein Sturmwetter auf der See
24 - Im Wintermonat - Menuett- Die Tageslange 9, die Nacht 15 Stund
25 - Im Wintermonat - Die Mahlmuhle
26 - Im Christmontat - Der Winter
27 - Im Christmontat - Die Sonne im Steinbock
28 - Im Christmontat - Menuett- Die Tageslange 8, die Nacht 16 Stund
29 - Im Christmontat - Der Schlaf oder ein Nachtstuck
30 - Im Christmontat - Das Jahresende

A Carte Musical
dir. Rogério Gonçalves

Leopold Mozart - Die Bauernhochzeit

38 tracks - MP3 192 Kbps - RAR file 98Mb


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Leopold Mozart - Sinfonia D-dur (Die Bauernhochzeit)
Leopold Mozart - Musikalische Schlittenfahrt
Leopold Mozart - Sinfonia burlesca G-dur
Josef Starzer - Tänze: Auswahl

Leopold Mozart (1719 - 1787)Sinfonia in D major "Die Bauernhochzeit" (Peasant Wedding)1 1. Marcia villanesca [2:34]
2 2. Menuett [2:43]
3 3. Andante [1:49]
4 4. Menuett [3:33]
5 5. Finale. Molto allegro [2:14]

Musikalische Schlittenfahrt (Musical Sleigh-Ride)6 1. Intrada [0:20]
7 2. Andante [1:05]
8 3. Presto [2:12]
9 4. Intrada [0:20]
10 5. Schlittenfahrt [2:01]
11 6. Andante, sempre piano: Das schuttelnde Pferd [1:23]
12 7. Aufzug [1:05]
13 8. Allegro [1:29]
14 9. Intrada [0:19]
15 10. Schlittenfahrt [1:26]
16 11. Adagio: Das vor Kalte zitternde und schnatternde Frauenzimmer [2:35]
7 12. Des Balles Anfang: Menuett/Trio [3:00]
18 13. Deutscher Tanz I. Presto [0:44]
9 14. Kehraus. Allegro [0:51]
20 15. Pianissimo [0:55]
21 16. Deutscher Tanz II [0:31]
22 17. Kehraus. Allegro [0:27]
23 18. Intrada [0:19]
24 19. Schlittenfahrt [1:26]

Sinfonia burlesca in G major25 1. Sinfonia [2:16]
26 2. Hanswurst (Menuett) [3:55]
27 3. Il Signor Pantalone (Andante) [2:08]
28 4. Arlecchino [1:54]

Josef Starzer (1726 - 1787)

Dances from "Diane et Endimione"
29 Contredance in B flat major [1:05]
Dances from "Roger et Bradamante"
30 Gavotte in B flat major with Trio in E flat major [2:16]
Dances from "Diane et Endimione"
31 "Pas de deux" in B flat major [2:14]
32 Menuet in E flat major [1:07]
Gli Orazi e gli Curiazi
33 Gavotte in G major with Trio in D minor [1:33]
Dances from "Roger et Bradamante"
34 Moderato in F major [1:16]
Dances from "Diane et Endimione"
35 Gavotte in F major [1:14]
36 Menuet in B flat major with Trio in G minor [3:15]
Dances from "Roger et Bradamante"
37 Gavotte in D major with Trio in D minor [2:43]
38 Passe-pied in D minor with Trio in D major [1:56]

Ensemble Eduard Melkus, Eduard Melkus

Heinrich Ignaz Franz Biber - Mensa Sonora

47 tracks - MP3 192 Kbps - RAR file 77Mb

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Mensa Sonora (1680) (violin I/II, viola, cello, harpsichord)
- Pars I in D major
- Pars II in F major
- Pars III in a minor
Sonata violino solo representativa in A major (1669)
- Pars IV in B flat major
- Pars V in E major
- Pars VI in g minor

Musica Antiqua Köln, Reinhard Goebel

Josquin Desprez - Motets et Chansons

13 tracks - 192 Kbps - RAR 73Mb


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1. Motet: Ave Maria (a 4)
2. Motet: Absalon, fili mi (a 4)
3. Motet: Veni, sancte Spiritus (a 6)
4. Motet: De profundis clamavi (a 4)
5. Frottola: Scaramella (a 4) (w/ setting by Compere)
6. Chanson: In te Domine speravi (a 4)
7. Frottola: El grillo (a 4)
8. Chanson: Milles regretz (a 4)
9. Chanson: Petite camusette (a 6)
10. Chanson: Je me complains (a 5)
11. Chanson: En l'ombre d'ung buissonet (a 3)
12. Chanson: Je ne me puis tenir d'aimer (a 5)
13. Motet-chanson: La deploration sur la mort de Ockeghem (a 5)

Hilliard Ensemble
David James (counter-tenor), Paul Elliott (tenor), Leigh Nixon (tenor)
Rogers Covey-Crump (tenor), Paul Hillier (bass), Michael George (bass)

Giuseppe & Giovanni Battista Sammartini - Concerti

19 tracks - MP3 256 Kbps - 86Mb


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1. Concerto for piccolo cello, strings & continuo in C major
Composed by Giuseppe Baldassare Sammartini
with Rainer Zipperling, piccolo cello

2. Trio for 2 recorders & continuo in F major
Composed by Giuseppe Baldassare Sammartini

3. Concerto for oboe & orchestra in E flat major
Composed by Giuseppe Baldassare Sammartini
with Hans-Peter Westermann, oboe

4. Work(s) Sonata in D major for transverse flute, 2 violins
Composed by Giovanni Battista Sammartini

5. Concerto for recorder & orchestra in F major
Composed by Giuseppe Baldassare Sammartini
with Michael Schneider, recorder

6. Sonatas (28, most doubtful) for 2 flutes (or violins) & continuo
Trio in D major for 2 transverse flutes and b.c.
Composed by Giovanni Battista Sammartini

Camerata Koln

Follie All'Italiana

13 tracks - MP3 192 Kbps - RAR file 87Mb


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01
A.Vivaldi (1678 1741) Follia
Sonate a tre op.I Venezia 1705
02
A.Corelli (1653 – 1713) Ciacona
Sonate da camera op.II, Roma 1685
03
A.Falconiero (1586 – 1656) Folia, Passacalle, Ciaccona
Il primo libro di canzone…Napoli 1650
04
B.Storace (16??-16??) Partite sopra la Folia
Selva di varie compositioni..Venezia 1664
05
G.A.Pandolfi ( 16?? - 16??) Passacaglio
Sonate cioè Balletti,Sarabande…Roma 1669
06
M.Cazzati (1620 – 1677) Capriccio sopra 7 note
Correnti balletti gagliarde...Venezia 1659
07
F.Corbetta (1615 – 1681) Folia
La guitarre royalle.. Paris 1671
08
G.B.Vitali (1632 – 1692) Passagallo Primo, Ciaccona
Varie partite del Passamezzo
op.VII, Modena 1682
09
A.Caldara (1670c – 1736) Chiacona
Suonate da camera op.II, Venezia 1699
10
G.Reali (1681c – 1751) Folia
Suonate e Capricci op.I, Venezia 1709

I Sonatori De La Gioiosa Marca
Giorgio Fava violino
Roberto Falcone violino
Walter Vestidello violoncello
Giancarlo Rado arciliuto & chitarra
Gianpietro Rosato cembalo, spinetta & organo