Mozart - The Complete Piano Sonatas

6 CD - MP3 192 Kbps - RAR 569Mb

Brautigam uses a copy of a 1795 fortepiano with spectacular results. The attack of this instrument is much more defined, (...). His tempos are fast, (...). Recording quality is superb, a(...). I used to think Mozart's sonatas were sluggish and not of the same caliber of much of his other compositions (Haydn's sonatas seemed to sparkle in comparison). With this set, I have changed my mind... truly first class. (Amazon customer)

contents:


CD 1
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Piano Sonata No. 1 in C major, K. 279
Piano Sonata No. 2 in F major, K. 28
Piano Sonata No. 3 in B flat major, K. 281

CD 2 
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Piano Sonata No. 4 in E flat major, K. 282
Piano Sonata No. 5 in G major, K. 283
Piano Sonata No. 6 in D major, K. 284

CD 3
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Piano Sonata No. 7 in C major, K. 309
Piano Sonata No. 9 in D major, K. 311
Piano Sonata No. 8 in A minor, K. 310

CD 4
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Piano Sonata No. 10 in C major, K. 330
Piano Sonata No. 11 in A major, K. 331
Piano Sonata No. 12 in F major, K. 332

CD 5
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Piano Sonata No. 13 in B flat major, K. 333
Fantasia in C minor, K. 475
Piano Sonata No. 14 in C minor

CD 6
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Piano Sonata No. 15 in F major, K. 533 + K. 494
Piano Sonata No. 16 in C major, K. 545, "Sonata facile"
Piano Sonata No. 17 in B flat major, K. 570
Piano Sonata No. 18 in D major, K. 576

Ronald Brautigam, fortepiano

Maddalena Laura Lombardini Sirmen - 6 Violin Concertos Op.III

2 CD - MP3 192 Kbps - RAR 140 Mb


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Tutorial Letter to Maddalena Lombardini (Signora Sirmen) from Giuseppe Tartini.
(italian & english)

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contents:


Concerto N°1 in B flat major
Concerto N°2 in E major
Concerto N°3 in A major
Concerto N°4 in C major
Concerto N°5 in B flat major
Concerto N°6 in C major

Piroska Vitárius, violin

Savaria Baroque Orchestra
dir. Pál Németh

Venice, 9 Dec 1745 - Venice, 18 May 1818

Italian composer, violinist and singer.
Unusually for a woman composer at that time, there appear to have been no other musicians in her family and she became famous entirely through her own efforts.
In 1753 she was admitted to the Ospedale dei Mendicanti in Venice, not as an orphan but as a musician who would be an asset to their all-female choir and orchestra.
She must have been an outstanding violinist since in 1760 she was allowed to go to Padua to study with Tartini; as the lessons were delayed, Tartini wrote her a long letter explaining his violin playing methods and the best way to practise.
It was copied in Padua before it was sent and by 1770, because of its importance, it was in print in Italy, shortly followed by translations into English (by Charles Burney), German and French. (...) (segue).

A biography

G.F.Handel - The Organ Concertos Op.7

12 tracks - MP3 192 Kbps - RAR 124Mb

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 contents:


 Concertos Op.7

Concerto no. 1 in B flat major (HWV 306)
Concerto no. 2 in A major (HWV 307)
Concerto no. 3 in B flat major (HWV 308)
Concerto no. 4 in D minor (HWV 309)
Concerto no. 5 in g-moll (HWV 310)
Concerto no. 6 in B-dur (HWV 311)

3 concertos

Concerto in F-dur (HWV 295) [The Cuckoo and the Nightingale]
Concerto in A-dur (HWV 296)
Concerto in d-moll (HWV 304)


Simon Preston, organ
Ursula Holliger, harp

The English Concert
dir. Trevor Pinnock

De Fragilitate - Piae Cantiones

22 tracks - MP3 192 Kbps - RAR 130Mb


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The Piae Cantiones (1582) is Finland’s one and only collection of early music and reflection of Europe’s medieval musical heritage. Zefiro Torna performs these beautiful carols, devote and student songs with 15th-16th century instruments and includes a children’s choir. The discrete but charming use of a kantele introduces a Finnish-ing touch to the sound.

The majority of the compositions belongs to the Germanic-Bohemian cantio tradition. There are also links to French, Spanish and Italian sources and to Flemish masters such as Jacob Obrecht. The religious songs — the majority being Christmas songs — are grouped together according to the liturgical year. The remaining songs deal with the transitory character of earthly life, the human condition, the life of schoolchildren, Biblical subjects and the rebirth of Nature in the spring.

Very few collections of music from the 16th century are so strongly anchored in contemporary musical life as the Piae Cantiones are in Finland today, becoming a fixed part of Finnish choral and religious music with the flowering of Finnish nationalism and romanticism in the early 20th century. Variants of these cantiones can be found in Finland’s religious folk music, whilst many composers have also made arrangements of the songs, including Jean Sibelius in his ‘Carminalia’.

“These 24 of the 74 songs from Piae Cantiones form not only a wonderful programme, permitting a variety of styles ranging from pure medieval to rustic and folksy but are also delightful performances….There are delicious and always aptly chosen instrumental contributions, including local colour from the Finnish kantele, and the children sing disarmingly with an ardent, earthly grace, like angelic urchins….”

contents:


De Nativitate [18:49]:
Angelus emittitur [1:23], Salve flos et décor [4:16], Verbum caro factum est [2:06], Congaudeat turba fidelium [1:52], Parvulus nobis nascitur [2:59], Personent hodie [1:30], Nobis est natus hodie [2:26], Paranymphus adiens [2:17]

De Passione [7:39]:
Iucundare iugiter [2:05], Aetas carmen melodiae [3:38], Aetas carmen melodiae [1:56]

De Fragilitate et Miseriis [9:29]:
Kurja, paha syntinen [4:44], Mars praecurrit in planetis [1:43]; Cum sit omnis caro foenum [3:02]

De Vita Scholastica [12:11]:
Scholares convenite [3:35], Zachaeus arboris [1:35], O Scholares discite [4:37], Sum in aliena provincia [2:24]

De Tempore Vernali [9:52]:
Ad perennis vitae fontem [2:15]; In vernali tempore [2:42]; Tempus adest floridum [1:40]; Kaikki maailma riemuitkohon [3:15]


Antwerp Cathedral Choir
&
Zefiro Torna

A review

Hespèrion XX - Musicque de Ioye

26 tracks - MP3 192 Kbps - 1 RAR file 83Mb

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Jacques Moderne, ed., ca 1550

Tracklist:

1. Anon. - Bassedance 7
2. Anon. - Tordion 8
3. Roquelay - Ta bonne grace
4. Anon. - Bassedanse 1 « Ta bonne grace »
5. Anon. - Tordion 2
6. Julius de Modena - Ricercare XIII
7. Julius de Modena - Ricercare XXII
8. Julius de Modena - Ricercare XVI
9. Julius de Modena - Ricercare V
10. Clément Janequin - Il estoit une fillette
11. Anon. - Pavane 13 « La Gaiette »
12. Anon. - Pavane 14
13. Anon. - Gailarde 15
14. Gabriel Costa - Ricercare XXIV
15. Julius de Modena or Cabezon - Ricercare XVII
16. Adrian Willaert - Ricercare IV
17. Pierre Sandrin - Helas amy
18. Anon. - Bassedanse 5 « Hellas amy »
19. Anon. - Tordion 6
20. Anon. - Pavane 11 « La Bataille »
21. Julius de Modena - Ricercare VIII
22. Julius de Modena - Ricercare X
23. Hieronimus Parabosco - Ricercare XIV « Da pacem domine »
24. Anon. - Branle simple 22
25. Anon. - Branle de Bourgoigne 23
26. Claude Gervaise - Branle de bourgoigne 17

Hespèrion XX, Jordi Savall

The Martyred Virgins

23 tracks - MP3 192 Kbps - RAR 124 Mb


International Day for the Elimination of Violence against Women

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“Violence against women and girls takes many forms and is widespread throughout the globe. […] On this International Day, I urge governments and partners around the world to harness the energy, ideas and leadership of young people to help us to end this pandemic of violence.  Only then will we have a more just, peaceful and equitable world.” Ban Ki-moon (UN Secretary-General)  (link to the whole message)

 By resolution 54/134 of 17 December 1999, the United Nations General Assembly designated 25 November as the International Day for the Elimination of Violence against Women, and invited governments, international organizations and NGOs to organize activities designed to raise public awareness of the problem on that day. Women's activists have marked 25 November as a day against violence since 1981. This date came from the brutal assassination in 1960, of the three Mirabal sisters, political activists in the Dominican Republic, on orders of Dominican ruler Rafael Trujillo (1930-1961).

Since the early days, Christianity has shown a reverence and respect towards virgins, usually young girls who rejected the advances of the occupying Roman forces, arguing that they were instead married to Christ. Often, these girls were raped, tortured and crucified by the authorities, and such atrocities extended through the Dark and Middle Ages and beyond, in cultures all over the world.

This stirring new CD sets Gregorian, Ambrosian chant and two episodes from the life of St Agnes, creating a musical memorial to female victims of violence and abuse, raising a plea for freedom, respect and peace to be established in today's world. Poems and texts by Tehlia Lieberman and Marthe Link, read in English, punctuate the chants, and there are moving accounts by women raped in Central Africa and girls forced to enter homes for single mothers and give up their children.

The Gregorian Schola Karolus Magnus from Nijmegen (the Netherlands)  & Brilliant just released their latest CD “The Martyred Virgins: A Gregorian memorial to female victims of violence”.  It features Gregorian music interspersed with spoken words (in English) describing violence against women, historically.   The CD is accompanied by a booklet of 48 pages with text in English, Latin and Dutch.  On it, one can also hear parts of the testimonials of three Rwandan women who were profiled in “The Men Who Killed Me” (Adela, Marie Jeanne and Clementine).  The music is intended to be a tribute to all women all over the world who faced or are still facing violence.

According to the producers: “[It] Started as a project honouring Saint Agnes and all other female martyrs venerated in the Catholic church, it grew into a sung monument in which violence against all women is commemorated.  Typical here is that ‘Martyred Virgins’ does not only honour the women who died for their faith, nor only the women who were physically violated because they believed.  The ‘Martyred Virgins’ is also a monument for the woman and her role in today’s society.  And thus the Schola veers off into a different direction: the old Gregorian chant serves today’s needs.”

On March 8, International Women’s Day, the Schola began a tour through the Netherlands to raise awareness of violence against women.  For more information about the Gregorian choir and the CD, see THIS LINK.

The CD (8 euros) can be ordered by sending an e-mail to mr. J. Bernards (janbernards@kabelfoon.nl) or through Amazon ($6,99) via THIS LINK.

 Pro sinceritate corporali et spiritali
A Gregorian Memorial to Female Victims of Violence

 
contents:


1.Litany, Part 1
2.Tertio decimo, AMEM 434
3.De virginibus (1), LHo 1072
4.Agnes beatae virginis, LH 341
5.From 2 Samuel 13: Amnon and Tamar
6.Psalm 43 (42): Iudica me Deus
7.From Jours de famine et de détresse
8.Ingressa Agnes, Psalm 147: 16 AM2 6
9.From The men who killed me
10.Improperium, GT 148
11.From The Magdalen
12.Vox in rama, Psalm 79 (78)
13.Agnes famula, LV 567
14.De virginibus (2), LHo 1072
15.Igne divini, LH 340
16.Christus factus est, GN 108
17.From Tehila Lieberman: The Holy text of Naeeda Aurangzeb 1
18.Ave verum, CS 10
19.From Tehila Lieberman: The Holy text of Naeeda Aurangzeb 2
20.Beati mundo corde, Psalm 37 (36)
21.From Marthe Link: Forgive us our trspasses
22.Stans beata Agnes, Magnificat
23.Litany, Part 2


 Schola Cantorum Karolus Magnus
dir. Stan Hollaardt
 

Claudio Monteverdi - Arie E Lamenti Per Voce Sola

10 tracks - MP3 192 Kbps - RAR 125Mb


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contents:


Ohimè ch'io cado (Libro nono)
Lettera amorosa a voce sola in genere rappresentativo (Settimo Libro, 1619)
Si dolce è il tormento (Libro nono)
Lamento d'Arianna
Quel sguardo sdegnosetto (Scherzi Musicali, 1632)
Salve o Regina
O quam Pulchra
Exulta filia Sion
Pianto della Madonna sopra il Lamento d'Arianna
Venite videte

Ton Koopman (harpsichord, organ)
Andrew Lawrence-King (harp)
Rolf Lislevand (theorbo)
Paolo Pandolfo (bass viola)
Lorenz Duftschmid (violone)


Montserrat Figueras (soprano)
15 March 1942 – 23 November 2011

Telemann -. Wind Concertos

7 CD - MP3 192 Kbps - RAR 327 + Mb

Germany's CPO label has presented the efforts of performers who have doggedly unearthed unknown music of various periods, especially the eighteenth century. With the voluminous corpus of concertos by Telemann, many of which exist only in manuscript, they enter a field with a lot of still-uncharted territory. This set of wind concertos is one of the label's most useful releases despite a few quirks. The music offers a good quick overview of the various influences at work in Telemann's concertos, which began with the seventeenth century concerto structure of a sequence of short elements resembling rhetorical figures but overlaid them with Italian and (especially) French influences. There are hints of Handel, Couperin, Corelli, Bach, and other composers, but there is a lightness and enthusiasm throughout that is entirely Telemann's own. Almost everything Telemann touched he treated with imagination, and the concertos here are full of delightful touches.

The varied forces of Georg Philipp Telemann's instrumental music require a flexible ensemble to give a sense of the music's range. In this case, two German historical-instrument ensembles, La Stagione Frankfurt and the veteran Camerata Köln, join forces for a set of concertos with a delightfully varied set of soloists. This music has the odd combination of lightness and unorthodoxy that tends to either attract or repel those who listen to Telemann.

La Stagione Frankfurt has been in the forefront of Germany’s period-instrument movement since its founding in 1988 by current director, Michael Schneider. They have toured Europe extensively and have recorded, mainly for cpo, works by various Baroque and early Classical composers. Telemann, however, is a special interest for Schneider, who was awarded the Telemann Prize in 2000 by the city of Magdeburg for his work on behalf of the composer.  

contents:


 Wind Concertos Vol.1

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Concerto for 2 horns, strings & continuo in D major, TWV 52:D2
Concerto for recorder, flute, strings & continuo in E minor, TWV 52:e1
Concerto for oboe, strings & continuo in D minor, TWV 51:d1
Concerto da Camera, for recorder, strings and continuo in G minor, TWV 43:g3
Concerto for flute, strings & continuo in E major, TWV 51:E1

Wind Concertos Vol.2

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Concerto for recorder, strings & continuo in C major, TWV 51:C1
Concerto for 2 oboes, "basse" (bassoon?) & continuo in D minor, TWV 53:d1
Concerto for flute, strings & continuo in G major, TWV 51:G1
Concerto for 2 horns, strings & continuo in D major, TWV 52:D1
Concerto for oboe, strings & continuo in F minor, TWV 51:f1

Wind Concertos Vol.3

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Concerto for Piccolo in D major
Concerto for Oboe in C minor, TWV 51:c1
Concerto a 3 in F major, TWV 42:F14
Concerto for Flute in G major, TWV 51:G2
Concerto for Trumpet in D major, TWV 51:D7
Concerto for 2 Flutes in G major, TWV 53:G1

Wind Concertos Vol.4

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Concerto for 2 Recorders in A minor, TWV 52:a2
Concerto for Flute in D major, TWV 51:D2
Concerto for Oboe d'Amore in A major, TWV 51:A2
Concerto for 2 Flutes, Bassoon, Strings and Basso Continuo in b minor TWV 53:h1
Concerto for Oboe in E minor, TWV 51:e1

Wind Concertos Vol.5

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Concerto in D major for Flute, Strings & B.c., TWV 51:D1
Concerto in A major for 2 Oboes d'amore, 2 Violins & B.c., TWV 52:A1
Concerto in F major for Alto Recorder, Strings & B.c., TWV 51:F1
Concerto in E flat major for 2 Horns, 2 Oboe ripieni, Strings & B.c., TWV 52:Es1
Concerto in D minor for Oboe, Strings & B.c., TWV 51:d2
Concerto in E minor for 2 Flutes, Bassoon, Strings & B.c., TWV 52:e2

Wind Concertos Vol.6

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Concerto in B minor for Transverse Flute, Strings & B.c., TWV 51:h1
Concerto in D major for Two Flutes, Bassoon, Strings & B.c., TWV 53:D1
Concerto in A minor for Oboe, Strings & B.c., TWV 51:a1
Concerto in C major for Two Oboes, Bassoon, Strings & B.c. 'Concerto alla francese', TWV 53:C1
Concerto in D major for Flute, Strings & B.c. 'Concerto polonoise', TWV 51:D3
Concerto in B major for Two Recorders, Strings & B.c., TWV 52:B1
Concerto in F major for Two Horns, Strings & B.c., TWV 52:F3

Wind Concertos Vol.7

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Concerto in C minor for Oboe, Strings & B.c., TWV 51:c2
Concerto (Quartetto) in F major for 2 Chalumeaux, Violini unisoni & B.c., TWV 43:F2
Concerto in A major for 2 Flutes, Bassoon, Strings & B.c., TWV 53:cA1
Concerto in F major for Recorder, Bassoon, Strings & B.c., TWV 52:F1
Concerto in D minor for 2 Chalumeaux, Strings & B.c., TWV 52:d1
Concerto in D major for Corno da caccia, Strings & B.c., TWV 51:D8


La Stagione Frankfurt
Camerata Koln
dir. Michael Schneider

El Cant de la Sibil-la - Figueras/Savall (Voll.1-2-3)

3 tracks - MP3 192 Kbps - RAR file 76Mb


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o

41 Tracks - MP3 192 Kbps - RAR file 99Mb


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o


25 Tracks - MP3 192 Kbps - RAR file 85Mb


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The Song of the Sibyl (Catalan: El Cant de la Sibil·la is a liturgical drama and a Gregorian chant, the lyrics of which compose a prophecy describing the Apocalypse, which has been performed at some churches of Majorca (Balearic Islands, Spain) and Alghero (Sardinia, Italy) in Catalan language on Christmas Eve nearly uninterrruptedly since medieval times. It was declared a Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO on November 16, 2010.

Several versions, differing in text and music, exist.

- - Latin Sibyl, from 10th-11th century, which incorporates fragments of The City of God (XVIII, 23) by St. Augustine
- - Provençal Sibyl, from the 13th century, reflecting influence of troubadour poetry
- - Catalan Sibyl. The latest and most ornamented version. Incorporates popular traditions of Balearic Islands. Refrain of this version is sometimes written for three or four voices

The author of The Song of the Sibyl is unknown. The prophecy was first recorded as an acrostic poem in Greek by bishop Eusebius of Caesarea and later translated into Latin by Saint Augustine in The City of God. It appeared again in the 10th century in different locations across Catalonia, Italy, Castile, and France in the sermon Contra judeos, later inserted into the reading of the sixth lesson of the second nocturn of matins and was performed as an integral part of the liturgy.

This chant was originally sung in Latin and under the name of Judicii Signum, but from the 13th on, versions in Catalan are found.

These early Catalan versions of the Judici Signum were not directly translated from Latin. Instead, they all come from a previous adaptation in Provençal, which proves the huge popularity this song must have had in the past.

Amongst the Catalan texts which come from this common root, there is a 14th century Codex kept in the Archives of the Majorcan Diocese, which was rediscovered in 1908. Oral transmission and the lack of written scripts has caused the various old texts in the vernacular to suffer many modifications over time, which has led to a diversity of versions.

The Song of the Sibyl was almost totally abandoned throughout Europe after the Council of Trent (held in 25 sessions from 1545 to 1563) declared its performance was forbidden. Nevertheless, it was restored on Mallorca as soon as in 1575.

Originally, the Song of the Sibyl was sung in a Gregorian melody and, as it can be seen in the Codex previously mentioned, the musical accompaniment that was played in Majorca, with the exception of some variations, was the same documented in other places across the Iberian Peninsula. Today, it cannot be ascertained for certain when the Song of the Sibyl was sung to this Gregorian melody, but most likely until the 16th or 17th century. Oral transmission of the song caused, as it did with the text, the birth of different variations and models. The interest this chant produced amongst early Musicologists and Folklorists of the 19th century led to the transcription of the different known versions of the song. The versions still played nowadays take these transcriptions as model.
(Wikipedia)

Matteo da Perugia - Hélas Avril - Chansons

11 tracks - MP3 192 Kbps - RAR file 91Mb


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1. Rondeau: A qui Fortune
2. Rondeau: Pour Dieu vous pri
3. Virelai: Plus onques dame
4. Rondeau: Pour Bel Accueil
5. Canon: (instr.) Andray soulet
6. Virelai: Puisque je sui
7. Rondau: Dame de honour plesant
8. Ballata: Già de rete d'Amor
9. Rondeau: FPn 568 (instr.) Dame playsans
10. Virelai: Hélas Avril
11. Rondeau: Trover ne puis

Mala Punica

Jill Feldman (soprano), Pascal Bertin (counter-tenor), Gianluca Ferrarini (tenor), Amandine Beyer (fiddle), Jane Achtman (fiddle), Kees Boeke (fiddle), Mara Galassi (harp), Arianna Savall (harp), Edin Karamazov (chitarrino), Pedro Memelsdorff (recorder) - Pedro Memelsdorff, dir.

Hildebrandston (Ferrara Ensemble)

24 tracks - MP3 192 Kbps - RAR 104Mb

 

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“This album follows a real change in society with the rise of the middle class in pre-Renaissance Germany. In this constantly evolving setting, music occupied a thoroughly enviable place. The Ferrara Ensemble is both the depository and the reflection of this bouquet of tendencies and emotions, and its expressive palette is at ease in every situation; Crawford Young, from his lute, attends to the ensemble’s musicality, which is never at fault.” Roger Tellart, Diapason, January 1996 - Diapason d’or of the Year 1995-96

 contents:


1 - Sei willekommen herre christ
2 - Damoiselle
3 - Ich sachs eins mals den lichten morgensterne
4 - Ich sachs eins mals den lichten morgensterne
5 - Bruder Konrad
6 - In feuers hitz
7 - Es leit ein schloß in österreich
8 - Ich sach ein bild
9 - Hoftanz Benzenhauer
10 - Nun will ich aber heben an (Lied vom Tanhäuser)
11 - Christ ist erstanden
12 - Christ ist erstanden
13 - Christ ist erstanden
14 - In gotts namen fahren wir
15 - Nun bitten wir den heilgen geist
16 - Ich will zu land ausreiten (Hildebrandston)
17 - Min freud möcht sich wol mehren
18 - Fortuna - Bruder Conrad
19 - Mein traut gesell (Mönch von Salzburg (Herrmann))
20 - Puer natus est
21 - Tanzmass Benzenhauer
22 - Hoftanz Benzenhauer
23 - Der Wald hat sich entlaubet
24 - Ich spring an diesen Ringe


Ferrara Ensemble

La Bande des Hautbois du Roy - Musica a Versailles

73 tracks - MP3 192 Kbps - 2 RAR files (88Mb+70Mb)


CD 1
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CD 2
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Musiche di
Jean-Baptiste Lully, Michel Corrette, Pascal Collasse
François Couperin, Marc-Antoine Charpentier

La Bande des Hautbois du Roy, dir. Paolo Tognon

Wilhelm Friedemann Bach - 6 Sonates

pour deux flutes traversieres sans basse


MP3 192 Kbps - 2 RAR (51Mb+53Mb)


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(Many thanx to benito x for the links)

tracklist:

Sonata No.1 in mi minore
Sonata No.2 in sol maggiore
Sonata No.3 in mi b maggiore
Sonata No.4 in fa maggiore
Sonata No.5 in mi b maggiore
Sonata No.6 in fa minore

Pénélope Evison & Pierre Séchet, Flauto traverso

Handel - Israel in Egypt

2 CD - MP3 192 Kbps - RAR 202 Mb

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Using some of the finest early-music soloists of the day, Parrott and his forces give posterity a recording that welds tightly focused emotion to a laudable and uncommon feel for the music. The soloists produce appropriately light but well-focused tone and display an ability to negotiate the intricacies of Handel’s notes evenly and with an exceptional grasp of the phrasing required for successful performance. The choral lines are carefully etched and meticulously balanced, resulting in a superlative overall sound that—in spite of the small choir—is rich and capable of exceeding power when required.
Without groveling to historical convention, Parrott achieves an enviable­­—and perhaps even the ultimate—marriage of musicology and musicality. The choruses and arias in parts II and III are conservatively paced, never rushed or driven, but I never feel that the tempos are sluggish or flaccid to the detriment of the music. Overall, there is deft execution, impeccable ensemble, and precise intonation. Parrott’s recording of Israel in Egypt is built on cognizance of Handel’s musical architecture and a desire to seek and master what lies beyond the printed page. All of this adds up to another inductee into our Classical Hall of Fame.
Please note that this set is available as an import only and can be found online as either a new or pre-loved product on amazon.com. Unfortunately, there are no texts included in the bare-bones booklet, but they can be downloaded at www.virginclassics.com.
FANFARE: Michael Carter

Nancy Argenta (soprano I)
Emily van Evera (soprano II)
Timothy Wilson (alto)
Anthony Rolfe Johnson (tenor)
David Thomas (bass I)
Jeremy White (bass II)

Taverner Choir & Players
dir. Andrew Parrott

 

Antonio Vivaldi - ''Il Proteo'' Double and Triple Concertos

18 tracks - MP3 192Kbps - RAR 94Mb


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1. Concerto for Two Violins, Two Cellos, Strings and Continuo in D Major, RV 564
2. Concerto for Three Violins, Strings and Continuo in F Major, RV 551
3. Concerto for Two Cellos, Srtings and Continuo in G minor, RV 531
4. Concerto for Violin, "Violino per eco lontano", Strings and Cont. in A Major, RV552
5. Concerto for Violin. Two Cellos, Strings and Continuo in G minor, RV 561
6. Concerto"Il Proteo o sia il mondo al rovescio" in F Major, RV 544
Christophe Coin, (cello), Il Giardino Armonico dir. Giovanni Antonini

J.B. de Boismortier - Suites & Sonatas

32 tracks - MP3 192 Kbps - RAR 103Mb


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1. Trio Sonata in G major Preludio (Grave) 01:51
2. Allemanda (Allegro) 02:21
3. Affettuoso 01:28
4. Giga (Allegro) 02:00
5. Sonata in D major Sicilienne 02:48
6. Gayement 02:09
7. Gracieusement 01:54
8. Gayement 03:25
9. Cinquième Suite in D minor Prélude 03:39
10. Bourée en Rondeau 01:05
11. Rondeau Gracieusement 02:36
12. Allemande (Gayement) 02:15
13. Gigue 01:39
14. Trio Sonata in E minor Legerement 02:15
15. Rondeau Gracieusement 02:36
16. Allemande (Gayement) 02:15
17. Lentement 01:23
18. Gigue 01:39
19. Suite in A major La Veloutée 02:01
20. L'Indeterninée 01:55
21. La Frenetique 01:58
22. La Brunette 05:31
23. Sonata in E minor Allegro 01:49
24. Allemanda (Allegro) 02:19
25. Adagio 01:36
26. Giga 01:11
27. Diverse Pieces de Violes in C Prelude (Lentement) 01:46
28. Allemande 02:17
29. Siciliene en Rondeau 02:44
30. Gentilesse in G major Gaiment 02:26
31. Gracieusement 01:35
32. Gaiment 02:46

Passacaglia:Annabel Knight - Louise Bradbury
Robin Bigwood - Reiko Ichise - Eligio Quinteiro

Les Tres Riches Heures

6 CD - MP3 192 Kbps - RAR 761 Mb

A Medieval Journey provides you with more than seven hours of the finest medieval music, all placed in its appropriate historical context. By Ensemble Organum, Deller Consort, Soeur Marie Keyrouz, The Newberry Consort, The Hilliard Ensemble, Clemencic Consort, et alter.

contents:

Booklet

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CD-1

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      Les Première Heures de l'Ère Chrétienne
The Dawn of the Christian Era
 
      Anon., Byzantine Chant
   1. 1.1 Alleluia (3 fois)
      1.2 Tropaire de la venue de l'époux (Lundi Saint): "Ha-Houwadha-lAruç" (arabe)
      Exapostilarion de l'Office du Mardi Saint: "Innani' Uchachidu khidraka"
   2. Version arabe
   3. Version grecque
   4. Version arabe

      Melchite trad.: Greek Liturgy of Saint John Chrysostom, 4th c.
   5. Hymne à la Vierge, 1st echos: Axion esti

      Troparion from the Great Canon of Saint John of Damascus, 4th c.
   6. Office of the Nativity of the Mother of God, 8th echos: Ya walidata-I-ilah

      Anon., Ambrosian Plain-Chant in Milan
   7. Psalm: Tecum principium in die virtutis tue
   8. Responsorium: Congratulamini mihi omnes qui diligitis Dominum

      Anon.: Mass for the Easter Day at the Cathedral of Benevento
   9. Communion: Qui mundacaverit

      Anon., Old Roman Chant
  10. Introit: Resurrexi
  11. Office de l'Adoration de la Croix, Impropères: Agios o Theos, Sanctus Deus

      Anon., Ms. B Mozarabic Chapel of the Cath. of Toledo, Cantorales de Cisneros folio 63, 14-15th c.: Office des lectures
  12. Sacrificium (Sunday before St. John-the-Baptist): Vox clamantis
     
CD-2

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Le Règne du Chant Grégorien
The Reign of Gregorian Chant

      Anon., Gallican
  13. Versus de l'évêque Théodulfe d'Orléans: Gloria laus
  14. Semaine Sainte: répons du 7e mode: Tenebrae factae sunt

      Anon., Gregorian: Missa Da Requiem
  15. Introït: Requiem aeternam
  16. Kyrie Eleison
  17. Graduel: Requiem aeternam
  18. Trait: Absolve Domine
  19. Séquence: Dies irae
  20. Offertoire: Domine Jesu Christe
  21. Sanctus
  22. Agnus Dei
  23. Communion: Lux aeterna
  24. Répons: Libera me
  25. Antienne: In paradisum

      Anon., gregorian
  26. Planctus Hugonis Abbatis: Hug dulce nomen

      Anon., Aquitaine tradition: Missa de Nativitate Jesu Christi
  27. Antiphona ad processionem: O beata infantia
  28. Introitus cum tropis: Quam queritis in praesepe / Puer natus est
  29. Alleluja: Dies sanctificatus
  30. Communio cum tropis: Desinat esse dolor / Viderunt omnes
  31. Alleluja cum tropis in octava: Alleluja / Natus est nobis
  32. Cantio ad laudem cantoris: Annus novus in gaudio

      Anon., Cistercian tradition: Répons de matines pour la fête de Saint Bernard
  33. Virtute multa
  34. In timore Dei
  35. Testamentum eternum
  36. Dedit Dominus confessionem sancto suo

CD-3

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Le Temps de l'Amour Courtois
The Age of Courtly love

      Anon., Troubadour, end 12th c.
  37. A l'entrada del temps clar

      Bernart de Ventadorn
  38. Vida
  39. Quand vei la laudeta mover

      Folquet de Marselha
  40. Vida
  41. Sitot me soi a tart aperceubutz

      Alfonso el Sabio (attr.): Cantigas de Santa Maria
  42. Cantiga 77: Da que Deus mamou o leite do seu peito (instr.)
  43. Prologo: Porque trobar
  44. Cantiga 37: Miragres fremosos (instr.)
  45. Cantiga 7: Santa Maria amar
  46. Cantiga 100: Santa Maria, strela do dia

      Anon.: Carmina Burana
  47. CB 200: Bacche, bene venies
  48. CB 196: In taberna quando sumus
  49. CB 71: Axe Phebus aureo
  50. CB 34: Deduc, Syon, uberrimas
  51. CB 5: Flete flenda

      Neidhart von Reuental
  52. Sinc an, guldîn huon!

      Tannhäuser
  53. Ich lobe ein wip

      Neidhart von Reuental
  54. Owê dirre nôt!

      Oswald von Wolkenstein
  55. Wol auff, gesell (instr.)

CD-4

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Les Premières Polyphonies
The Birth of Polyphony

      Anon., Aquitaine, 12th c.
  56. Domine labia mea aperies
      Deus in adjutorium meum
  57. Versus: O primus hono cotruit
  58. Versus: Veni solis radius

      Léonin (attr.), Provins, Bibl. Mun. 12 (24), fol. 16 17
  59. Introït tropé: Puer natus est

      Léonin (attr.), Paris, B.N. Lat. 1112, Fol. 257r
  60. Kyrie: Cunctipotens

      Léonin (attr.), Wolfenbüttel Helmst. 628 Fol. 21r 21v; Paris, B.N. Lat. 111, Fol. 20
  61. Graduel: Viderunt omnes

      Léonin (attr.), Wolfenbüttel Helmst. 628
  62. Sanctus

      Léonin (attr.), Paris, B.N. Lat. 1112, Fol. 259
  63. Agnus Dei

      Léonin (attr.), Florence, Bibl. Laurenziana, Pluteo 29-1/Fol. 89v
  64. Ite missa est - Deo gratias

      Anon., Graduel antiphonaire de Fontevraud, B.M. Limoges, Ms. 2
  65. Kyrie: Orbis factor
  66. Credo in unum deum
  67. Séquence: Res est admirabilis

      Anon., 13th c., Montpellier Codex
  68. Mo 21: Plus bele que flor / Quant revient / L'autrier joer / Flos filius
  69. Mo 231: Puisque bele dame m'eime / Flos filius
  70. Mo 20: Celui en qui / La bele en qui / Iohanne
  71. Mo 328: Amor potest conqueri / Ad amorem sequitur
  72. Mo 256: S'on me regarde / Prennés i garde / Hé, mi enfant
  73. Mo 215: Qui d'amours se plaint / Lux magna
  74. Mo 134: On doit fin[e] Amor / In seculum

      Anon.
  75. Kyrie: Kyria christifera
  76. Gloria
  77. Sanctus & Benedictus
  78. Agnus dei: Virtute numinis

CD-5

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Le Siècle de l'Ars Nova
Ars Nova and the Fourteenth Century

      Anon., Le Roman de Fauvel
  79. In mari miserie
  80. Vers 149-168
  81. Ad solitum vomitum
  82. Porchier miex estre - Vers 259-280
  83. J'ai fait nouveletement
  84. Quoniam secta latronum
  85. Vers 5905-5926 Mario, virgo virginum
  86. Vers 6023-6050
  87. Quare fremuerunt

      Anon., Missa "Tournai"
  88. Kyrie
  89. Gloria in exelcis Deo
  90. Préface - Sanctus
  91. Agnus Dei

      Guillaume de Machaut, Codex Faenza
  92. De toutes flours
  93. Honte, paour, doubtance
  94. Honte, paour, doubtance (instr.)

      Francesco Landini, Codex Faenza
  95. Che pena è quest'al cor

      Bartholino da Padova, Codex Faenza
  96. Imperiale sedendo fra più stelle

      Baude Cordier, Codex Chantilly
  97. Tout par compas
  98. Belle, bonne sage

      Solage, Codex Chantilly
  99. Fumeux fume par fumée

      Guido, Codex Chantilly
 100. Or voit tout

      Anon., England, 14th c.
 101. Motet: Campanis cum cymbalis - Honoremus Dominam

      Anon., England, early 14th c.
 102. Mater ora flium

      Anon., England, end of 13th c. - early 14th c.
 103. Gymel: Edi be thu

      Anon. England, 14th c.
 104. Chant: Gabriel fram heven-king

      Anon., England, 14th c.
 105. Pièce: Gaude Virgo mater Christi

CD-6

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      À l'Aube de la Renaissance (XVe siècle) 
The Dawn of the Renaissance (15th Century)

      Johannes Ciconia
 106. Ligiadra donna

      Anon.
 107. Carol: Alleluya: A nywe werke
 108. Carol: Ecce quod natura
 109. Carol: Nowel: Owt of your slepe aryse

      John Plummer
 110. Anna Mater Matris Christ

      Forest
 111. Tota pulcra es amica mea

      Anon, England, Medieval
 112. Conductus: O Maria stella maris

      Anon., England, Medieval
 113. Sequence: Salve virgo secularis
 114. Motet: Veni mater gracie / Dou way, Robin

      Anon., Codex Colombina
 115. Propiñan de Melyor (instr.)

      Anon., Perugia MS 36
 116. Instrumental piece

      Anon., Canti B
 117. La Spagna (instr.)

      Francisco de la Torre
 118. La Spagna

      Johannes Ockeghem Requiem
 119. Introit: Requiem eternam dona eis Domine
 120. Kyrie
 121. Tractus: Sicut servus desiderat ad fontes aquarum

      Antonius Divitis
 122. Sanctus

      Marco da L'Aquila
 123. Ricercar: L'autre jour
 124. Nous bergiers
 125. Ricercar No 33
 126. Il est bel et bon

Playing time: 74'34" + 76'55" + 77'11" + 77'53" + 77'13" + 75'22" = 7h 39'08"

Excerpts (from original release):

CD-1

[1]-[4] Harmonia mundi HMC 90 1315 [CD]
Chants byzantins - Passion et Résurrection
[5]-[6] Harmonia mundi HMC 90 1497 [CD]
Chants sacrés melchites: hymnes à la Vierge
[7]-[8] Harmonia mundi HMC 90 1295 [CD]
Chants de l'Eglise milanaise
[9] Harmonia mundi HMC 90 1476 [CD]
Chants de la Cathédrale de Benevento - Semaine Sainte & Pâques / Holy Week & Easter
[10] Harmonia mundi HMC 90 1218 [CD]
Chants de l'Eglise de Rome - Période byzantine
[11] Harmonia mundi HMC 90 1382 [CD]
Messe de Saint Marcel - Chant de l'Église de Rome
[12] Harmonia mundi HMC 90 1519 [CD]
Chant Mozarabe - Cathédrale de Tolède (XVe siècle)

CD-2

[13]-[14] Harmonia mundi HMD 234 [LP]
Chant grégorien Vol. 1 - Répons et Monodies Gallicanes
[15]-[25] Harmonia mundi HMU 239 [LP]
Chant grégorien Vol. 6 - Messe des Morts / Messe de Pâques
[26] Harmonia mundi HMU 237 [LP]
Chant grégorien Vol. 4 - Élégies pour les Rois et les Princes
[27]-[32] Harmonia mundi "Quintana" QUI 90 3031 [CD]
Chant grégorien d'Aquitaine
[33]-[36] Harmonia mundi HMC 1392 [CD]
Chant Cistercien

CD-3

[37], [39] Harmonia mundi HM 396 [LP]
Troubadours I
[38], [40]-[41] Harmonia mundi HM 397 [LP]
Troubadours II
[42] Harmonia mundi HM 384 [LP]
René Clemencic et ses flûtes
[43]-[44] Harmonia mundi HM 977 [LP]
Les Cantigas de Santa Maria Vol. 1
[45]-[46] Harmonia mundi HM 979 [LP]
Les Cantigas de Santa Maria Vol. 3
[47]-[49] Harmonia mundi HM 335 [LP]
Carmina Burana, vol. 1
[50]-[51] Harmonia mundi HMU 336 [LP]
Carmina Burana, vol. 2
[52]-[55] Harmonia mundi HMU 90 7082 [CD]
Wanderer's Voices - Medieval Cantigas & Minnesang

CD-4

[56]-[58] Harmonia mundi HMC 1134 [LP]
Polyphonie aquitaine du XIIe siècle - Saint Martial de Limoges
[59]-[64] Harmonia mundi HMC 1148 [LP]
École Notre-Dame - Messe du jour de Noël
[65]-[67] Harmonia mundi HMC 90 1403 [CD]
Graduel d'Aliénor de Bretagne - Plain-Chant et polyphonies des XIIIe et XIVe siècles
[68]-[74] Harmonia mundi HMC 90 7109 [CD]
Love's Illusion - Montpellier Codex 13th Century
[75]-[78] Harmonia mundi HMU 90 7080 [CD]
An English Ladymass

CD-5

[79]-[87] Harmonia mundi HM 994 [LP]
Le Roman de Fauvel
[88]-[91] Harmonia mundi HMC 90 1353 [CD]
Messe de Tournai
[92]-[96] Harmonia mundi HMC 90 1354 [CD]
Codex Faenza - Italie, XVe siècle
[97]-[100] Harmonia mundi HMC 1252 [LP]
Codex Chantilly - Airs de cour
[101]-[105] Harmonia mundi HMC 1154 [LP]
Sumer is icumen in - Chants médiévaux anglais

CD-6

[106] Harmonia mundi HMU 90 7038 [CD] Il
Solazzo - Music for a medieval banquet
[107]-[109] Harmonia mundi HMC 90 7099 [CD]
On Yoolis Night - Medieval carols & motets
[110]-[111] Harmonia mundi HMC 1106 [LP]
Medieval English Music
[112]-[114] Harmonia mundi HMU 90 7125 [CD]
The Lily & The Lamb - Chant & polyphony from medieval England
[115]-[118] Harmonia mundi HMU 90 7083 [CD]
Cornago: Missa de la mapa mundi - Secular music of 15th-century Spain
[119]-[122] Harmonia mundi HMC 90 1441 [CD]
Ockeghem - Requiem
[123]-[126] Harmonia mundi HMU 90 7043 [CD]
Dolcissima et Amorosa - Early Italian Renaissance Lute music

Date of release: 1995

Wilhelm Friedemann Bach - Symphonies

14 tracks - MP3 192 Kbps - RAR 91Mb


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J.S. Bach's favorite son-apparently a drunk and a difficult man-wrote handsome music of great rhythmic and harmonic variety, which this CD highlights. The harpsichord concerto is very rich, with the soloist and orchestra bickering back and forth nicely. The two Sinfonias differ in temperament: the D major is formal and elegant; the F major is more jumpy and entertaining. Similarly, the two adagios and fugues recorded here differ greatly. The one in F minor dazzles us by its close, while the D minor is severe but equally interesting. W.F. Bach sounds little like either his father or his better-known brother, C.P.E. Bach. He's quirkier and not at all predictable. The disc is full of surprises. --Robert Levine

Tracklist:

1. Sinfonia in D major (used as prelude to cantata "Dies ist der Tag"), F. 64 (BR C8)
2. Sinfonia in D minor ("Adagio and Fugue"), F. 65 (BR C7)
3. Harpsichord Concerto in E minor, F. 43 (BR C 12)
4. Prelude and fugue (after W. F. Bach) for violin, viola & bass in F minor, (K. 404a/6)
5. Sinfonia for strings in F major ("Dissonant"), F. 67 (BR C2)

Berlin Academy for Early Music
Raphael Alpermann - Harpsichord

Italian and English Music for Recorder and Lute

15 tracks - MP3 192 Kbps - RAR file 71Mb

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Bartolomeo de Selma y Salaverde
1. Canzona
Pietro Paolo Melii
2. Capricio detto il Gran Matias
Bartolomeo Montalbano
3. Sinfonia, Op. 1 No.4
Giovanni Bassano
4. Ricercata quarta
Dario Castello
5. Sonata seconda
Alessandro Piccinini
6. Aria di saravanda in varie partite
Andrew Parcham
7. Solo: Poco allegro - (no tempo marking) - Adagio - Allegro - Aria
Anonymous
8. Pauls steeple
Henry Purcell
9. Prelude
Johann Christoph Pepusch
10. Prelude
Gottfried Finger
11. Prelude
William Croft
12. Sonata in G
Gottfried Finger
13. Sonata in G minor: (no tempo marking) - Allegro - Adagio - (no tempo marking)
Anonymous
14. Division on a ground
15. Tollets ground

Clas Pehrsson, recorder - Jakob Lindberg, lute

Musica Mystica [6 CD]

6 CD - MP3 192 Kbps - RAR 625 Mb

Musica Mystica I

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Repleatur os meum laude tua
Kyrie ex aeterno
Gloria in excelsis Deo
Pacem relinquo vobis
Ecce iam noctis
Nigra sum, sed formosa
Gaudens gaudebo in Domino
Ave Maria, gratia plena
Ecce Virgo concipiet
Cum audisset salutationem Mariae
Magnificat anima mea Dominum
Laudate pueri Dominum
Lauda Jerusalem
Gaudeamus omnes in Domino
Ave Maria, gratia plena
Alma Redemptoris Mater
Laudate pueri Dominum
Sancta Maria, succurre miseris
Magnificat anima mea Dominum
Salve Regina misericordiae

Niederaltaicher Scholaren
dir. Konrad Ruhland
 
Musica Mystica II


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Codex Las Huelgas: Ex illustri nata prosapia
En seumeillan
Musik am Hofe Gaston Febus: Altissonis aptatis - hin principes
Musik am Hofe Janus in Nikosia: Si doulcement fait me amours
Osanna
Madonna oyme
Quis dabit oculis nostris
Oime il bel viso/Discolorato hai
Fuggi'l soreno
Et exultavit
Mirabilis misterium declaratur
Klagelied zum Gründonnerstag
Credidi propter
Que bien siente Galatea
Dos estrellas le siuen
Laetatus sum (Psalm 121)
Peccavi feteor

Huelgas Ensemble
dir. Paul van Nevel
 
Musica Mystica III


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Allegri - Miserere mei Deus (Psalm 51)
Vexilla regis prodeunt
Lotti - Crucifixus
Popule meus / ego te eduxi
Gabrieli G. - O Domine Jesu Christe (Passions-Motette)
Quia eduxi te / ego te pavi
Monteverdi - Adoramus te, Christe
Quid ultra debui / ego te exaltavi
John IV of Portugal - Crux fidelis / Pange, lingua
Te Deum laudamus (Plainchant)
Cornysh - Ave Maria, Mater Dei
Whyte - Christe, qui lux es et dies (Motette)
Gibbons - Drop, drop, slow tears
Purcell - Remember not, Lord, our offences Z 50
Hurford - Litany to the Holy Spirit

Westminster Abbey Chor
dir. Martin Neary
 
Musica Mystica IV

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Manchicourt - O cruaulte logee en grand beaute
Dentice - De lamentatione Hieremiea - Lectio prima
Na fomte esta Lianor
di Lasso - Giovane Donna aus Lagrime di San Pietro
Gallus - Planxit David aus Opus Musicum
Claude Le Jeune - Revecy venir du printas aus Le Printas
di Lasso - Il magnanimo Pietro aus Lagrime di San Pietro
Machado - Que bien siente Glatea
Gombert - Quia fecit aus Magnificat secundi toni
de Tavares - Parce mihi Domine
di Lasso - Tre Volte haveva aus Lagrime di San Pietro
Gallus - Obsecro Domine aus Opus Musicum
Le Leune - Voicy le verd et beau May aus Le Printas
de Manchicourt - Gloria aus Missa Veni Sancte Spiritus
Gombert - Je prens congie
Praetorius - Der Tag vertreibt die finstere Nacht
di Lasso - Ma gli archi aus Lagrime di San Pietro
Gallus - O beata Trinitas aus Opus Musicum
Grabrieli - Exaudi me Domine

Huelgas Ensemble
dir. Paul van Nevel

Musica Mystica V


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Hodie Christus natus est
Rorate caeli desuper
Vespere autem sabbati
Gaodens in Domino
Alleluja
Ubi caritas est vera
Aurora lucis rutilat
Resurrexi et adhuc tecum sum
Spiritus Domini
Factus est repente
Hodie completi sunt
Veni sancte Spiritus
Angelus Domini nuntiavit Mariae
Agmina celsa colunt
Virgo prudentissima
Salve festa dies
Concordi laetitia
Da pacem Domine in diebus nostris

Niederaltaicher Scholaren
dir. Konrad Ruhland

Musica Mystica VI


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Haydn - Die Schöpfung Hob. XXI:2 - Die Vorstellung des Chaos
Tafelmusik - Bruno Weil
Bach - Messe h-moll BWV 232  - Et incarnatus est - crucifixus
Bach-Kollegium Stuttgart - Helmut Rilling
Vivaldi - Stabat Mater
La Grande Ecurie et la Chambre du Roi - Jean-Claude Malgoire
Bach - Komm, Jesu, komm BWV 229
Barockorchester Stuttgart - Frieder Bernius
Mozart - Ave verum corpus D-Dur KV 618
European Baroque Soloists - Gerhard Schmidt-Gaden
Handel - Der Messias HWV 56 - Kommt her und seht das Lamm
Chor und Kammerphilharmonie des MDR - Enoch zu Guttenberg
Haydn - Salve Regina
Tafelmusik - Bruno Weil
Beethoven - Missa solemnis D-Dur op. 123 - Agnus Dei
Westminster Choir - NYPO - Leonard Bernstein
Haydn - Nelson-Messe - Kyrie
Tafelmusik - Bruno Weil
Mendelssohn - Elias - Hilf, Herr
Radio-Sinfonieorchester Stuttgart - Helmut Rilling
Brahms - Ein deutsches Requiem - Herr, lehre doch mich
New Philharmonia Orchestra - Lorin Maazel
Schubert - Deutsche Messe F-Dur D 872 - Benedictus
Orchestra of the Age of Enlightenment - Bruno Weil
Bruckner - Te Deum - Kyrie
Kammerchor Stuttgart - Bläserphilharmonie - Bruno Weil