Vicent Martin i Soler - Una cosa rara

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Una Cosa Rara
ossia Bellezza ed onestà
Dramma giocoso in due atti
Libretto di Lorenzo Da Ponte
dalla commedia "La luna de la Sierra"
di Luis Vélez de Guevara

Prima - Vienna, Burgtheater, 17 novembre 1786


Isabella, regina di Spagna ........... Maria Angeles Peters (soprano)
Giovanni, principe di Spagna ......... Ernesto Palacio (tenore)
Corrado, gran Scudiere ............... Francesc Garrigosa (tenore)
Lilla, serrana ....................... Montserrat Figueras (soprano)
Ghita, serrana ....................... Gloria Fabuel (soprano)
Lubino, serrano ...................... Inaki Fresan (basso)
Tita, serrano ........................ Fernando Belaza-Leoz (basso)
Lisargo, podestà del villaggio ....... Stefano Palatchi (basso)


La Capella Reial de Catalunya
Le Concert de Nations
dir. Jordi Savall

Live, Gran Teatre del Liceu, Barcelona, 2 & 3/1991
Astrée Auvidis E 8760.

Oswald von Wolkenstein

and his Italian Contemporaries

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Früling und Liebe

1. Anon: Saltarello I (lute, fiddle, recorder, dulcimer)
2. Wolkenstein: Der mai mit lieber zal (voice, fiddle)
3. Landini: Ecco la primavera (voice, 2 fiddles, 2 recorders, dulcimer, organistrum)
4. Anon: Saltarello II (recorder, percussion)
5. Wolkenstein: Gar wunniklich hat si mein her besessen (voice, 2 fiddles)
6. Ciconia: O rosa bella (voice, mandora, fiddle, recorder)
7. Anon: Istampita chominciamento di gioia (recorder, 2 fiddles, slide trumpet, sackbut, percussion)

A la caccia

8. Ghirardellus de Florenzia: Tosto che l'alba (voice, cornet)
9. Ciconia: Cacciando un giorno (shawm, sackbut)
10. Landini: La pescha - Cosi pensoso (voice, fiddle)
11. Wolkenstein: Wohl auff gesell! wer jagen well (shawm, zink, krumhorn)

Hosanna in excelsis

12. Anon: Quem terra, pontus, aethera (3 voices)
13. Ghirardellus de Florenzia: Benedicamus domino (voice, organ)
14. Wolkenstein: Ave mater o maria (3 voices, shawm, fiddle, krumhorn)

In den Augen der Fremden

15. Ciconia: Una panthera in compania del marte (voice, shawm, cornet, sackbut)
16. Wolkenstein: Wer die ougen wil verschüren (2 voices, organistrum)

Eher traurig

17. Landini: Gram piant agli occhi (voice, 2 fiddles)
18. Wolkenstein: Ich klag ich klag (2 fiddles, cornet)
19. Wolkenstein: Du auserweltes schöns (voice, fiddle, recorder)

Vom Triken und Tanzen

20. Wolkenstein: Frölaich geschrai (voice, shawm, sackbut, slide trumpet)
21. Wolkenstein: Herr wirt uns dürstet (voices)
22. Anon: Istampita parlamento (2 fiddles, recorder, organistrum, percussion)

Les Menestrels

Renate Burtscher (soprano)
Florian Mayr (countertenor)
Markus Resch (tenor)
Eric Klug (bass baritone)
Eva Brunner (treble strings)
Gebhard Hüttler (reeds)
Helge Stiegler (recorders)
Klaus Walter (lute, etc.),
Michel Walker (cornet, winds)

J.H.Roman - Solo Concertos

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The "Father of Swedish Music," Johan Helmich Roman, was one of the most influential Swedish composers of his time, not only because of his numerous compositions, but also for his role in moving the music of the great composers from the royal court to public concerts in Stockholm. He was also influential in promoting the use of the Swedish language in sacred texts and in developing an indigenous tradition of vocal writing in secular and sacred music.

contents:



Violin Concerto F minor BeRI 52
Oboe Concerto B-flat major BeRI 46
Flute Concerto G major BeRI 54
Violin Concerto D minor BeRI 49
Oboe d'Amore Concerto D major BeRI 53



Elisabeth Wallfisch (violin)
Lisa Beznosiuk (flute)
Anthony Robson (oboe)
Orchester of the Age of Enlightenment
Anthony Halstead (conductor & Harpsichord)

Caldara - Sonate a Tre

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Sonata IV en do mineur
Sonata V en la mineur
Sonata VI en La majeur
Sonata VII en Fa majeur
Sonata VIII en Sol majeur
Sonata IX en mi mineur
Sonata X en re mineur
Sonata XI en Re majeur
Sonata XII en Si bemol Majeur

La Fidelissima

G.P.Telemann - Ouvertures & Concertos (Standage)

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Violin Concerto in A Minor
Flute and Violin Concerto in E Minor
Concerto in G Major for Four Violins Unaccompanied
Concerto in A major for Four Violins
La Changeante - Orchestral Suite in G Minor
Violin Concerto in E major


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Ouverture Burlesque in B-flat Major
Violin Concerto in G Major
Concerto in D Major for Two Flutes, Violin and Cello
Violin Concerto in F-sharp Minor
Concerto in G Major for Two Violins


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Trio Sonata for Two Violins and Continuo in E flat major
Singe-, Spiel- und Generalbass-Übungen
Suite No. 5 for Flute, Violin and Continuo in A minor
Moralische Cantata - Das mässige Glück
Sonata for Two Violins in E minor

24 theils ernsthafte, theils scherzende, Oden
Quartet for Flute, Two Violins and Continuo in G major



Collegium Musicum 90
dir. Simon Standage

Il Fasolo?

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Here the European period-instrument ensemble Le Poème Harmonique offers a program devoted to another of those arguably unjustly-neglected composers who occasionally turn up on concerts and on disc--and in our reviews. This time it's the very obscure, early-17th-century Italian guitarist/composer known today only by his pseudonym Il Fasolo (the bean). In the liner notes Jean-François Lattarico warns that this Il Fasolo should not necessarily be confused with Giovanni Battista Fasolo or Il Fasolo-Manelli (two other composer/musicians active around the same time) regardless of evidence that both confirms and denies Il Fasolo's relationship to each--and hence the question mark in the program's title. Surely a fascinating musicological mystery!

--John Greene, ClassicsToday.com

contents:


1 - Bergamasca : La Barchetta passaggiera
2 - Lamento di Madama Lucia, con la riposta di Cola
3 - Chi non sà come Amor
4 - Son ruinato, appassionato
5 - Canzonetta : Sguardo lusinghiero
6 - Madrigale : O dolorosa sorte
7 - Jacarà : Aria alla napolitana
8-16 Serenata in lingua lombarda che fa Madonna Gola a Messir Carnevale
17 - Ciaconna : Acceso mio core

Le Poème Harmonique
dir. Vincent Dumestre

W.Boyce - Solomon

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In 1743 William Boyce wrote music for the play 'Solomon' by Edward Moore. The work was frequently performed, but being judged mildly rude*, was seldom performed after about 1800. One song however, 'Softly Rise, O Southern Breeze' remained popular for another fifty years. In 1762, after a performance of Solomom, the music critic John Potter wrote "......a fine piece of composition! It has a number of beautiful strokes of genius, it is fine, it is elegant and sublime....how delicate the airs in it, how charming the melody! Can anything be more so? Really it is almost impossible."

She - Bronwen Mills, soprano,
He - Howard Crook, tenor
The Parley of Instruments
Choir & Orchestra
dir. Roy Goodman

* I wanted to understand what a "mildly rude" work was like by XVIII century standards so I searched for Moore text. I found it at the University of Virgina Library along with some other intesting works (Mainly poems & fables) . Or you can download it here (26Kb) in RTF format.

Angelo Berardi - Sinfonie Opera VII

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Canzone I "Chi la fa l'aspetti"
Canzone " Il mondo va in giro"
Canzone III "Dal Moto hò vita"
Canzone IV "Nell'incostanza fedel sarò"
Canzone V "Ostinato è il mio pensiero"
Canzone VI "Capriccio per camera"


Sergio Ciomei (clavicembalo - dir)
Margret Koll (arpa)
Vanni Moretto (contrabbasso - dir)
Giangiacomo Pinardi (tiorba, chitarra)
Mauro Valli (violoncello)

Pancrace Royer - Pieces de Clavecin 1746

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Rousset’s first go at Royer’s Pièces (l’Oiseau-Lyre 436 127-2) was taped in Aug. 1991, used a 1751 Henri Hemsch, and won the 1993 Diapason d’or. It is a much sought-after item. Rousset's Feb. 2007 recording uses an attractive Goujon-Swanen instrument, ca. 1749-84. This time Rousset stays entirely within Royer’s Premier Livre (if there were subsequent books, they are lost to us) and doesn’t program La Chasse de Zaïde, a singleton which may not be Royer’s.

Fifteen-plus years later, Rousset seems less intent on demonstrating muscle and virtuosity. The emphasis here is on darkness and mystery. This shift is most audible in “la petite Reprise” of the affecting Les tendres Sentiments, the harmonies of which climb chromatically. Rousset now lingers a little longer on the twists and cadential progressions of L’Incertaine and L’Aimable. Overall, the fast pieces are about the same duration. The slower ones have become slightly longer. The newer recording is less dry, and whether it’s the instrument or player, Rousset’s 1991 staccatos are more precise (for example, snapped 16ths after dotted eighths). Le Vertigo and La Marche des Scythes, the Livre’s most theatrical and reckless, evoke slightly less passion on the newer recording. Perhaps Rousset is suffering from battle fatigue, witness Le Vertigo’s Vivaldian chord crashing. I hear greater introspection in its few points of repose. While I value both of Rousset’s explorations, I see myself spinning the older release more often. (Complete review here)

Claudio Monteverdi - Combattimento di Tancredi e Clorinda

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01 - Monteverdi -Combattimento di Tancredi e Clorinda
02 - Monteverdi -Sinfonia
03 - Sigismono D'India -Forsennata gridava
04 - Monteverdi -Vattene pur, crudel
05 - Eredi -L'Armida del Tasso -Rimanti in pace (I parte)
06 - Eredi -L'Armida del Tasso -Vattene pur, crudel (II parte)
07 - D'India -Là tra 'l sangue e le morti
08 - Mazzocchi -Chiudesti i lumi, Armida
09 - Eredi -L'Armida del Tassa -Or che farà? (V parte)
10 - Eredi -L'Armida del Tassa -Poi ch'ella in sé tornò? (VI parte)
11 - Eredi -L'Armida del Tassa -Che fa più meco il pianto? (VII parte)
12 - Eredi -L'Armida del Tassa -Misera Armida (VIII parte)
13 - Eredi -L'Armida del Tassa -Questo bellezza mia (IX parte)
14 - Bernardi -Sinfonia prima a 6
15 - Cifra -Era La Notte
16 - Monteverdi -Piagn'e sospira
17 - D'India -Ma che? Squallido e oscuro
18 - Biagio Marini -La bella Ermina

Marinella Pennicchi, soprano (Clorinda)
Giovanni Caccamo, tenor (Tancredi)
Furio Zanasi, baryton (testo)

Ensemble Elyma
dir. Gabriel Garrido

Camilla de Rossi - Il Sacrifizio di Abramo

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Nothing is known of her life except that ‘Romana’ appears on the title-pages of her manuscripts, indicating Roman origin.
She wrote four oratorios for solo voices and orchestra, which were performed in the Vienna court chapel between 1707 and 1710. In style and form they are similar to the oratorios of Alessandro Scarlatti. A cantata also survives.
Her first known work, Santa Beatrice d’Este, was commissioned by Emperor Joseph I.
She often uses particular instruments for dramatic effect or characterization: trumpets represent the villainous warrior in Santa Beatrice d’Este, the archlute represents the innocence of S.Alessio in Sant’Alessio, and chalumeaux(*), only a year after their first orchestral use in Vienna, represent the peaceful dream of Abramo in Il sacrifizio di Abramo.
According to the title-page of the manuscript, Rossi wrote the text as well as the music for Il figliuol prodigo.

Angiolo, Sara, Susanne Ryden (Soprano)
Isacco, Ralf Popken (Alto)
Abramo, Jan Stromberg (Tenor)


Weser-Renaissance
dir. Manfred Cordes

(*)Accostatevi a queste pupille




Strali, fulmini

Berger Poète - Suites et Sonates pour Flûte et Musette

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contents:


Pierre Danican Philidor
Suite for flute & continuo No. 5 in E minor

Nicolas Chédeville
Sonata for musette & continuo in G minor (attrib. to Vivaldi, Op. 13/6)

Jacques Hotteterre
Suite for flute & continuo No. 2 in C minor (Deuxième livre)

Jean-Féry Rebel
Musette for orchestra in D major

Joseph Bodin de Boismortier
Sonata a 4 for 3 flutes & continuo in A minor

François Couperin
Le Rossignol-en-amour et Double, for harpsichord (Pièces de clavecin, III, 14e ordre)

Nicolas Chédeville
Suite de duos, for musette & vielle (Plainte d'Iphise, de Michel Pignolet de Montéclair)
Suite de duos, for musette & vielle (Les Bergeries de Mr Couprin)
Suite de duos, for musette & vielle (Air de Mr de Mondonville)
Philippe Dugué
Trio Sonata for musette, hurdy-gurdy & continuo in C major

Le Musiciens de Saint-Julien
François Lazarevitch

Compostela ad Vesperas Sancto Iacobi

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1.Hymnus perigrinorum: Dum pater familias
2.Conductus processionis: Resonet nostra domino caterva
3.Antiphona: Ad sepulcrum beati Iacobi
Psalmus: Laudate pueri dominum
4.Antiphona: O quanta sanctitate et gracia
Psalmus: Laudate dominum omnes gentes
5.Antiphona: Gaudeat plebs gallecianorum
Psalmus: Lauda anima mea dominum
6.Antiphona: Sanctissime apostole Iacobe
Psalmus: Laudate dominum quoniam bonus est psalmus
7.Antiphona: Jacobe servorum spes
Psalmus: Lauda Ierusalem dominum
8.Responsorium in organo: Dum esset salvator in monte
9.Hymnus: Felix per omnes dei plebs
10.Antiphona ad magnificat: O lux et decus Hyspanie
11.Benedicamus domino
Deo Gracias
12.Conductus: Congaudeant catholici


Ensemble Organum
dir.Marcel Peres

J.D.Zelenka - Gesù al Calvario [ZWV62]

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Sopran (Maria Vergine): Ingrid Schmithüsen
Sopran (Maria Maria Maddalena): Larissa Malikowa
Kontratenor (Gesù): David Corier
Kontratenor (San Giovanni): Kai Wessel
Alt (Maria Cleofe): Lena Susanne Norin

Rheinische Kantorei
Das Kleine Konzert
dir. Hermann Max

G.Valentini - Idee per Camera a Violino e Violone o Cembalo

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contents:


Idee per Camera a Violino e Violone o Cembalo
Opera IV (Roma 1706)

Idea II
Idea III
Idea IV
Idea V

Idea VI
Idea VII
Idea I

Orfei Farnesiani

Antonio Cesti - Il Pomo d'Oro

Radio broadcast - MP3 192 Kbps - RAR 474 Mb
Wien (June 1989)
(5h41'50'")


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Festa teatrale in un prologo e cinque atti

libretto di Francesco Sbarra

Vienna, Teatro di corte, 12 e 14 luglio 1668.



cast:

Pluto: Teodor Ciurdea;
Mars: Kurt Azesberger;
Momus: Eberhard Kummer;
Neptun: Rudolf Vogel;
Bacchus: Nicolai Cok;
Merkur: Stratton Bull;
Venus: Ursula Targler;
Jupiter: Gerd Fussi;
Juno: Kjellaug Tesaker;
Ganymed: Mircea Mihalache;
Paris: Kurt Equiluz;
Filaura: Marius van Altena;
Spanien: Ursula Targler;
Italien: Stratton Bull;
Das Königreich Ungarn: Kurt Equiluz;
Das Römische Reich: Gerd Fussi;
Sardinien: Kjellaug Tesaker;
Das Königreich Böhmen: Nigel Dickson;
Amerika: Kurt Azesberger;
Die Österreichischen Erblande in Deutschland: Ivan Urbas;
Amor: Monika Lenz;
Hymen: Timothy Wilson;
Gloria Austriaca: Vera Nentwig;
Proserplna: Änike WudKal;
Discordia: Rannveig Braga;
Apollo: Timothy Wilson;
Hebe: Petra Schnitzer;
Pallas Athene: Sally Bradshaw;
Eunone: Eva Meindel;
Aurindo: Nigel Dickson;
Caron: Teodor Ciurdea;
Drei Furien: Rannveig Braga, Renate Weninger, Änike Wudkal ;
Kekrops: Ivan Urbas;
Adrasto: Timothy Wilson;
Alkeste: Jutta Geister;
Ein Soldat: Price Brown;
Xolus: Rudolf Vogel;
Euro: Price Brown;
Zephyr: Gundi Klebel;
Ein Priester der Pallas Athene: Teodor Ciurdea;
Einer aus dem Chor: Price Brown;
Das Element des Feuers: Mircea Mihalache;
Die drei Grazien: Christine Schwarz, Petra Schnitzer, Rannveig Braga

Chor und Orchester "Spectaculum"
dir. Gerhard Kramer

Allegri - Le Suites Medicee

29 tracks - MP3 192 Kbps - RAR 97Mb


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Lorenzo Allegri (1567 – 1648) was an Italian composer, who worked at the Medici court, in Florence. He was mainly known as a lutenist, and for lute he wrote dances, sometimes with vocal parts. He was sometimes referred to as Lorenzino Todesco so it may be assumed he was of German origin. (Wikipedia)

A review

contents:


Secondo Ballo detto "La Serena"
Quinto Ballo detto "Le Ninfe della Senna"
Primo Ballo detto della "Notte d'Amore"
Ottavo Ballo detto "L'Iride"
Settimo Ballo
Sesto Ballo
Quarto Ballo detto "I Campi Elisi"
Terzo Ballo detto "Alta Maria"

Gran Consort Li Stromenti
Gian Luca Lastraioli

W.A.Mozart - The Violin Concertos

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Concerto n°1 in B flat K207
Concerto n°2 in D K211
Concerto n°3 in G K216
Rondo in B flat K269 (261a)

Concerto N°4 in D K218
Concerto N°5 in A K219
Adagio in E K261
Rondo in C K373


Simon Standage, violin
The Academy of Ancient Music
dir. Christopher Hogwood


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Freundin! Ich komm' mit der Zither (Trio) K 351 (367b)
Caro mio Druck und Schluck, K Anh. 5 (571a)
Die Zauberflöte, K 620: Nur stille…Die Strahlen der Sonne
Difficile lectu mihi mars, K 559
Das gestöre Ständchen, K Anh. 441c
Johann Ludwig Krebs - Verewight glüht hier Herz un Sinn
Canon à 3 in F Major, K 508
Canon à 3 in F Major, K 507
Lieber freistädler, K 232 (509a)
Im Grab ists finster, K Anh. 6 (441b)
Liebes Mandel, wo is's Bandel, K 441
O Du eselhafter Peierl! in A Major, K 560a (559a)
Brüder, lasst uns lustig sein, K 344
Nun, Liebes Weibchen, K 592a
Gehn wir im Prater, K 558
Zaïde, K 344 (334b): Wer hungrig bei der Tafel sitzt
Essen und Trinken, K 234 (382e)
Warnung, K 433 (416c)
Bona nox! bist a rechta Ox, K 561
Eine musikalischer Spass, K 522



Erika Köth, soprano
Peter Schreier, tenor
Hermann Prey, baritone
Walter Berry, bass-baritone
Convivium Musicum München
Wiener Akademie Kammerchor
Members of the Sinnhoffer Kammerorchester München


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Concerto in si bemolle maggiore K.207
Rondo' in si bemolle maggiore K.269
Concerto in re maggiore K.211
Concerto in sol maggiore K.216

Concerto in re maggiore K218
Concerto in la maggiore K219
Adagio in mi maggiore K261
Rondo' in do maggiore K373


Giuliano Carmignola, violin
Il Quartettone
dir. Carlo de Martini

J.D.Zelenka - 6 Sonate

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Sonata No. 1 in F major
Sonata No. 2 in g minor
Sonata No. 3 in B flat major
Sonata No. 4 In g minor
Sonata No. 5 In F major
Sonata No. 6 In C minor


Paul Dombrecht - Marcel Ponseele - Ku Ebbinge, oboes
Chiara Banchini, violin
Danny Bond, basson
Richte van der Meer, violoncello
Robert Kohnen, harpsichord

J.S.Bach - Brandenburg Concertos

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Concerto No. 1 Bwv 1046 In F Major
Concerto No. 2 Bwv 1047 In F Major
Concerto No. 3 Bwv 1048 In G Major
Concerto No.4 Bwv 1049In G Major
Concerto No.5 Bwv 1050 In D Major
Concerto No.6 Bwv 1051 In B-flat Major


Orchestra of the Age of Enlightenment

Paul Goodwin, oboe
Catherine Mckintosh, violino piccolo & dir.
Timothy Brown & Susan Dent, horns
Rachel Beckett & Marion Scott, recorders
Monica Huggett, violin, viola & dir.
Mark Bennett, trumpet
Alison Bury, violin & dir.
Elizabett Wallfisch, violin & dir.
Lisa Beznosiuk, flute
Malcolm Proud, harpsichord
Pavlo Beznosiuk, viola
Sarah Cunningham & Richard Campbell, viola da gamba
Richard Tunnicliffe, cello
William Hunt, violone
John Toll, harpsichord

Luca Marenzio - Madrigali

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contents:


1 - Basciami milli volte, a 5 voci (Libro 5, 1585)
2 - Satiati Amor, ch'a più doglioso amante, a 6 voci (Libro 2, 1584)
3 - Dolorosi martir, fieri tormenti, a 5 voci (Libro 1, 1580)
4 - Nè fero sdegno mai, Donna, mi mosse, a 6 voci (parte 1, Libro 4, 1587)
5 - Talchè dovunque vò, tutte repente (parte 2)
6 - Liquide perle, Amor; da gl'occhi sparse, a 5 voci (Libro 1, 1580)
7 - Liquide perle Amor, da gl'occhi sparse, diminution pour luthe (Intavolatura di liutto, Venezia, 1593)
8 - Vaghi e lieti fanciulli, a 6 voci (Libro 2, 1581)
9 - Deh rinforzate il vostro largo pianot, a 6 voci (Libro 1, 1581)
10 - Donne il celeste Lume, a 9 (Libro 4, 1593)
11 - Udite, lagrimosi Spirti d'Averno, udite, a 5 voci (Libro 4, 1594)
12 - Là dove sono i pargoletti Amori, a 6 voci (Libro 2, 1584)
13 - E s'io mi doglio, Amor, a 6 voci (Libro 2, 1584)
14 - Fuggi, speme mia, fuggi, a 6 voci (Libro 2, 1584)
15 - Tirsi morir volea, a 5 voci (Libro 1, 1580, parte 1)
16 - Frenò Tirsi il desio (parte 2)
17 - Così moriro i fortunati anamti (parte 3)
18 - Tirsi morir volea, diminution pour clavecin (Fitzwilliam Virginal Book)
19 - Consummando mi vò piaggia in piaggia, a 5 voci (Libro 5, 1585)
20 - O verdi selv'o dolci fonti e rivi a 6 voci (Libro 6, 1595)
21 - Caro Aminta, pur voi, a 6 voci (parte 1, Libro 4, 1587)
22 - Non può Filli più, a 2 voci in dialogo (parte 2)
23 - Cruda Amarilli, a 5 voci (parte 1, Libro 7, 1595)
24 - Ma grideran per me le piagg'e i monti (parte 2)
25 - Per duo coralli ardenti, a 6 voci (Libro 1, 1581)
26 - Così nel mio parlar vogl'esser aspro, a 5 voci (parte 1, Libro 9, 1599)
27 - Et ella ancide, e non val c'huom si chiuda (parte 2)

Il Concerto Italiano
dir. Rinaldo Alessandrini

Antonio Vivaldi - Armida al campo d'Egitto

3 CD - MP3 192 Kbps - 3 RAR 260Mb


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Opera in 3 atti (1718)

Libretto di Giovanni Palazzo dal Tasso
Prima rappresentazione al Teatro San Moisè di Venezia nel 1718

Sara Mingardo, contralto (Armida)
Furio Zanasi, baritono (Califfo)
Monica Bacelli, mezzo soprano (Osmira)
Raffaella Milanesi, soprano (Erminia)
Marina Comparato, contralto (Emireno)
Romina Basso, contralto (Adrasto)
Martin Oro, controtenore (Tisaferno)

Concerto Italiano
Dir. Rinaldo Alessandrini

B.Galuppi - Complete Harpsichord Concertos

2 CD - MP3 192 Kbps - RAR 129Mb


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contents:


Concerto in D major
Concerto in C major
Concerto in E flat major
Concerto in G major
Concerto in F major
Concerto in C minor
Concerto in A major
Concerto in F major


Rita Peiretti, harpsichord
L'Accademia dei Solinghi
dir. Rita Peiretti

Blockflotenkonzerte

16 tracks - MP3 192 Kbps - RAR 104Mb


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G.P.Telemann - Concerto in g minor
(World premiere recording)
G.P.Telemann - Concerto in c major TWV 51:C
C.Graupner - Suite in f major
J.C.Schultze - Concerto in g major



Dorothee Oberlinger, alto recorder
Ensemble 1700
dir. Reinhard Goebel

Jan Dismas Zelenka - Il Diamante

2 CD - MP3 192 Kbps - RAR 155Mb


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If we speak about the late works of Jan Dismas Zelenka, we usually refer to his fascinating last masses, oratorios or litanies, which have today finally gained the attention and acclaim they so fully deserve. With sacred music always being the focal point of Zelenka's work, the violone playing composer who was born in Bohemia was eventually appointed Kirchen Compositeur in 1735 after having spent over twenty years as “the most humble and loyal servant” at the royal court in Dresden. Still, among his late works we also find the Serenata ZWV 177 from 1737, another major work, which, thanks to the newly discovered printed libretto, now has a title Il Diamante. It was one of the few secular vocal compositions, possibly also the last, Zelenka wrote for the Dresden court, and crowns his work as a music dramatist. (more in the booklet)

Roberta Mameli - soprano (Giunone)
Marie Fajtova - soprano (Amore)
Gabriela Eibenova - soprano (Venere)
Hana Blazikova - soprano (Terra)
Kai Wessel - alto (Imeneo)


Ensemble Inégal
Prague Baroque Soloists
dir. Adam Viktora

Thomas Baltzar - Complete Works for Unaccompanied Violin

16 tracks - MP3 192 Kbps - RAR 51Mb

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contents:

Prelude in G major

Allemande and Variation in G minor

Courante in G minor

Sarabande in G minor

Prelude in C minor

Allemande in C minor

Allemande in B-flat major

Sarabande in B-flat major

Allemande in C major

Sarabande in C major

Prelude in G major (2)

Allemande in B minor by John Jenkins, with Variation by Baltzar

A Set Of Tunings (scordatura)

I. Allemande in A major

II. Allemande in A major (2)

III. Courante in A major

IV. Sarabande in A major

Patrick Wood, violin

"Thomas Baltzar is a little-known German violinist and composer who is getting a well-deserved airing in this new premiere recording...This CD represents his complete output of unaccompanied violin music, and is also the first-ever recording of this once-innovative music. What’s so striking about the pieces is their early use of polyphony. One immediately thinks of Bach when hearing the pieces; though composed around 1660, 25 years before Bach’s birth, it’s almost as if they are primitive strains of his writing. Baltzar’s compositions stand out for their early use of double-stops and scordatura... British-Mexican violinist Patrick Wood thoughtfully plays the works. His tone is even, pure, and warm, and his intonation is spot-on. His light, gentle playing adds just the right shimmer to the simple beauty of each short piece."

Strings ~ July 2008

Musique Francaise a Deux Clavecins

20 tracks - MP3 192 Kbps - RAR 97Mb


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contents:


J.B.de Boismortier
Troisieme sonate en Sol, op.91

J.M.Leclair
Sonata VIII en Re

C.Dieupart
Deuxieme suite en Re

J.Duphly
Ouverture
La De Mary
La Madin
La De Casaubon
La Du Tailly
La de Valmallette

Luc Beauséjour & Hervé Niquet, harpsichord

All in a Garden Green: Four Seasons of English Music

25 tracks - MP3 192 Kbps - RAR 104Mb


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contents:


Music by John Playford, William Byrd, Nicola Matteis, Nicholas Lanier, Gottfried Finger, William Lawes, Henry François de Gallot, Anonymous, William Croft, Henry Purcell, Thomas Morley, Thomas Ravenscroft, Henry Eccles.

Spring:
1. Chirping of the Nightingale / Chirping of the Lark (The English Dancing Master, 1651 edition)
2. John come kiss me now (The Fitzwilliam Virginal Booke c.1618 / The Division Violin, 1685 edition)
3. Va poco di manera Italiana / Aria Amorosa (Book I and IV of Aires in 3 Parts, 1676/85)
4. No more shall meads be deckt with Flowers (Select Ayres and Dialogues, The Second Book, 1669)
5. Ciaccona (Airs Anglois, Vol. 4)
6. Glory of the West / The Goddesses (The English Dancing Master: edition 1651)
7. Can beauty’s Spring (Autograph songbook, #22)
8. Chaconne (Pieces de Guittarre de Differends Autheurs)
9. Now ye Spring is come (Elizabeth Rogers Hir Virginall Booke, 1656)
10. Ground after the Scotch Humour (Ayrs for the Violin, Part 4)
Summer:
11. Ground in C Minor (from Suite No. 3, D. 221)
12. Sweeter than Roses (Incidental Music to Pausanius, Z. 585, 1695)
13. Greensleeves (The Division Flute, first part)
14. All in a Garden Green / Onder een linde groen (The English Dancing Master, edition 1651 / Secular keyboard works)
15. Stanes Morris / The Glory of the Sun (The English Dancing Master, 1651/2)
Autumn:
16. O Mistress Mine (The First Book of Consort Lessons, 1599)
17. The Woods so wild (The Fitzwilliam Virginal Booke, c.1618)
18. The Chestnut / Autumn (Elizabeth Rogers Hir Virginall Booke / The Fairy Queen, Z. 629/35)
19. Aria (2nd Book of Aires in 3 parts, 1676)
Winter:
20. Cold and Raw (The English Dancing Master, 1686 edition)
21. When a cruel long Winter (The Fairy Queen, Z. 629/31, Act IV)
22. Remember O Thou Man (Melismata, 1611)
23. Virgin Queen / An Italian Rant (The Dancing Master, 1702, 1657 editions)
24. A Division on a Ground (The Division Violin, 1685 edition)
25. Here the Deities approve (Welcome to all the Pleasures, Ode for St Cecilia’s Day, Z. 339)

Ensemble Le Tendre Amour

G.P.Telemann - Overtures Sonatas & Concertos

5 CD - MP3 192 Kbps - 5 RAR (106+111+87+99+119Mb)


contents:


CD 1

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Sonata F-dur TWV43:F01
2 violins, viola & BC
Concerto C-dur TWV51:C01
recorder, 2 violins, viola & BC
Ouverture fis-moll TWV55:fis01
2 violins, viola & BC
Quadro g-moll TWV43:g04
recorder, violin, viola & BC
Concerto G-dur TWV51:G09
viola solo, 2 violins, viola & BC


CD 2

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Concerto d-moll TWV43:d02
2 violins, viola & BC
Concerto F-dur TWV52:F01
recorder, basson, 2 violins, viola & BC
Sonate f-moll TWV44:32
2 violins, 2 violas & BC
Sonate D-dur TWV41:D06
cello & BC
Ouverture h-moll TWV55:h04
solo violin, 2 violins, viola & BC


CD 3

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Concerto D-dur TWV43:D04
2 violins, viola & BC
Concerti di camera g-moll TWV43:g03
recorder, 2 violins & BC
Sonatina c-moll TWV41:c02
basson & BC
Ouverture F-dur TWV55:F2
2 violas & BC
Sonatina a-moll TWV41:a4
recorder & BC
Sonate corellisante h-moll TWV42:h3
2 violins & BC


CD 4

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Concerto G-dur TWV43:G5
2 violins, viola & BC
Ouverture E-dur TWV55:E2
Oboe d'amore, 2 violins, viola & BC
Concerto B-dur TWV52:B1
2 recorders, 2violins, viola & BC
Sonata D-dur TWV41:D1
violin & BC
Concerto a-moll TWV43:a3
recorder, oboe, violin & BC


CD 5

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Concerto A-dur TWV43-A4
2 violins, viola & BC
Sonata d-moll TWV42-d10
recorder, violin & BC
Ouverture g-moll TWV55-g8
violin solo, 2 violins in ripieno & BC
Quadro G-dur TWV43-G6
recorder, oboe, violin & BC
Sonata C-dur TWV40-203
4 violins without bass
Partia 5 e-moll TWV41-e1
2 violins, viola & BC



Musica Alta Ripa

Anne Rohrig (violin)
Ulla Bundies (violin)
Christoph Heidemann (violin, viola)
Susanne Dietz (violin)
Juris Teichmanis (cello)
Albert Bruggen (cello)
Michael McCraw (bassoon)
Dennis Götte (theorbo, baroque guitar)
Barbara Hofmann (violone)
Bernward Lohr (harpsichord)
Danya Segal (recorder)
Hans-Peter Westermann (oboe. oboe d'amore)

M.A.Charpentier - Warner Box Set

4 CD - MP3 192 Kbps - 4 RAR (Mb)


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contents:


cd1 - Divertissements, Airs et Concerts (1999)

La Pierre Philosophale H. 501
Concert pour quatre parties de violes H. 545
Air- 'Tristes déserts, sombre retraite' H. 469
Air- 'Rentrez, trop indiscrets soupirs' H. 464
Air- 'Quoi! Je ne verrai plus' H. 461
Air- 'Ah! qu'ils sont corts les beaux jours' H. 442
Air- 'Charmantes fleurs, naissez' H. 449b
Air- 'Quoi! rien ne peut vous arrêter ' H. 462
Air- 'En vain rivaux assidus' H. 452
Air- 'Ah! qu'on est malhereux d'avoir eu des désirs' H. 443
Air- 'Ah! laissez-moi rêver' H. 441
Air- 'Non, non, je ne l'aime plus' H. 455
Sans frayeur dans ce bois - Chaconne H. 467
Air- 'Auprês de feu l'on fair l'amour' H. 446
Air- 'Ayant bu du vin claire' H. 447
Air- 'Fenchon, la gentille Fenchon' H. 454
Il faut rire et chanter - Dispute de bergers H. 484


cd2 - Les Plaisirs de Versailles (1996)

Les Plaisirs de Versailles, H. 480
Airs sur les stances du Cid, H457-9
Pastoraletta 'Amor vince ogni cosa', H. 492


cd3 - In Nativitatem Domini Canticum - Messe de Minuit (2001)

In Nativitatem Domini Canticum H416
Messe de Minuit H9
Nowls sur les instruments


cd4 - La Descente d'Orphée aux Enfers H488 (1995)


Paul Agnew
Sophie Daneman
Patricia Petibon

Les Arts Florissants
dir. William Christie

The Ancient Miracles

24 tracks - MP3 192 Kbps - RAR 103Mb


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The Ensemble Für Frühe Musik Augsburg is rightly counted among the leading groups for "authentic" medieval music. In their most vivid manners they appeal directly to the listener and show us that "authentic" must not mean antiquated, dusty, or academical. This compilation of the CD releases the ensemble has issued until 1995, is a special listening experience: entertaining, because the pieces are selected and arranged so that the maximum is achieved in variety. It is also used to span the entire measure by music, from Gregorian chant through the anonymous Troubadourlied to elaborate polyphonic sacred songs of the early Renaissance. Purely instrumental performances are not forgotten. Lively (sometimes even "rock" or "jazzy" sounding!). The whole thing is so fresh and unused, therefore, that one can hardly believe that even the "most recent" works presented here are almost 500 years old! Everything is the result of the superior processing and interpretation of the Augsburg art, and show us how to perform this music up to date, without doing violence to her. The clear voice of Sabine Lutzenberger is a special treat. If it were possible, I would give 7 stars! (Amazon review)

contents:

Monch von Salzburg: Caldy valdy
Anonymous: Tempus transit gelidum - Vrowe ih pin dir undertan
Anonymous, Spanish: Rodrigo Martinez
Wolkenstein, Oswald von: Nu rue mit Sorgen
Anonymous, Manuscrit du Roi: La Septime Estampie Real
Muset, Colin: Voles oir muse Muset, trouvere song
Wolkenstein, Oswald von: Ave Mater, for 3 voices, K 116
Anonymous: Wer das Elend bauen will
Anonymous: Resurgentis Domini
Hildegard of Bingen: O felix anima, response for St Disibod
Anonymous, Worcester Antiphonarium: Fulget celestis curia
Hildegard of Bingen: O magne pater, antiphon
Reuenthal, Neidhart von: Mayenzeit (attributed)
Janequin, Clément: Il estoit une fillette, chanson for 4 voices, M. 3/77
Vogelweid, Walther von der: Under der linden
Vogelweid, Walther von der: Annus novus in gaudio
Wolkenstein, Oswald von: Frölich, zärtlich, lieplich, K 94
Thibault IV, King of Nava: L'Autrier Par la Matinee
Thibault IV, King of Nava: Promat chorus hodie
Clairvaux, St. Bernard de: Laetabundus exsultet fidelis chorus
Clairvaux, St. Bernard de: Kyrie Rondello
Clairvaux, St. Bernard de: Ave Mater O Maria
Azzaiolo, Filippo: Ti parti, cor mio caro
Susato, Tylman: Het derde musyck boexken...alderhande danserye

Ensemble Für Frühe Musik Augsburg

Haydn - Die Schopfung

2 CD - MP3 192 Kbps - RAR 195Mb

1986 version
classic instruments

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REVIEW


Edita Gruberova, soprano - Gabriel, Eva
Josef Protschka, tenor - Uriel
Robert Holl, bass - Raphael, Adam

Arnold Schoenberg Choir
Vienna Symphony Orchestra
dir. Nikolaus Harnoncourt


---o---

2 CD - MP3 192 Kbps - RAR 154Mb

2003 version
period instruments

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REVIEW


Dorothea Röschmann, soprano - Gabriel, Eve
Michael Schade, tenor - Uriel
Christian Gerhaher, bass - Raphael, Adam

Arnold Schoenberg Choir
Concentus Musicus Wien
dir. Nikolaus Harnoncourt

Recorded live at the Musikvereinssaal,
Vienna, Austria
26-30 March 2003

Jacob van Eyck - Der Fluyten Lust-Hof

9 CD - MP3 192 Kbps - 9 RAR (875Mb)


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One of the most intriguing musical sources from the late Renaissance is Jacob van Eyck's Der Fluyten Lust-hof (The Recorder's Pleasure Garden). This the largest collection of music for solo wind instrument presents a selection of variations based on themes as diverse as Calvinist psalms, dances, the hits of the day and dirty songs. For centuries, this kind of music belonged to the repertoire of an instrument of ancient origin which was played at the courts, in the streets, churches, brothels and pubs: the recorder.

The composer was a blind nobleman, scientist and bell player. He used to improvise in the garden adjacent to the Sint Janskerk in Utrecht, entertaining by-passers and romancing young couples alike. Someone then must have listened his way through and transcribed what corresponds to almost ten hours of music, very much the way many a jazz musician still work today. The apparent popularity of van Eyck's music caused his publisher Paul Matthysz to edit several collections in van Eyck's lifetime. One can only imagine the troublesome procedures foregoing a publication of this kind, as the author couldn't write himself. Der Fluyten Lust-hof is an outstanding proof of a craft which is today a sadly neglected art form. To improvise was the true core of all music long before the invention of musical notation.